Barbariccia
Barbariccia is the chief of the Malebranche, the twelve demons who patrol the Fifth Bolgia of the Eighth Circle of Hell, where the sin of barratry is punished by immersion in boiling pitch. As their leader, he commands a grotesque parody of military discipline, orchestrating the escort of Dante and Virgil across a broken bridge and intervening to restrain his subordinates' violent impulses. His authority is marked by a combination of crude physical signals, strategic calculation, and a grudging respect for divine will, making him one of the most vividly realized figures of infernal governance in the Inferno.
Role as Leader of the Malebranche
When Malacoda, the captain of the Malebranche, assigns a squad to guide Dante and Virgil to the next intact arch, he names Barbariccia as the leader of the ten demons: "And Barbariccia, do thou guide the ten" . This delegation places Barbariccia in command of a troop that includes Alichino, Calcabrina, Cagnazzo, Libicocco, Draghignazzo, Ciriatto, Graffiacane, Farfarello, and Rubicante. His authority is immediately tested when the demons, after the Navarrese sinner Ciampolo escapes by diving back into the pitch, fall into a chaotic brawl among themselves. Two of them, Calcabrina and Alichino, grapple in midair and tumble into the boiling pond, their wings becoming so encrusted with pitch that they cannot rise. Barbariccia responds by dispatching four of his demons to the opposite bank with their grappling hooks to rescue the ensnared pair, demonstrating a capacity for practical command even in the midst of infernal farce (E07363–E07368).
The Trumpet Signal
Before the escort sets out, Barbariccia performs a grotesque ritual that signals the start of their march. Each of the ten demons thrusts his tongue between his teeth toward their leader, and Barbariccia responds by making a trumpet of his rump . This obscene gesture, a parody of military bugle calls, underscores the degraded and monstrous nature of the Malebranche's hierarchy. Dante, who has witnessed many forms of military signaling in the world above—trumpets, bells, kettle-drums, and castle signals—declares that he has never seen horsemen, infantry, or ships move to such an uncouth bagpipe (E07364–E07366). The passage emphasizes the inversion of order in Hell, where even the most basic forms of communication are twisted into vulgarity.
Restraint and Strategic Intervention
Despite the demons' evident hostility, Barbariccia exercises restraint when Virgil invokes divine authority. Earlier, when the Malebranche threaten the pilgrims with their grappling hooks, Malacoda orders them to desist after Virgil declares that Heaven wills his journey. Barbariccia, as the leader of the escort, maintains this discipline: when the demons gnash their teeth and threaten violence, Virgil reassures Dante that their fury is directed only at the sinners boiling in the pitch, not at the pilgrims themselves . Later, when the Navarrese sinner attempts to bargain by offering to whistle up other barrators, Cagnazzo suspects a trick, but Barbariccia does not immediately intervene. After the escape, however, he takes charge of the chaotic aftermath, organizing the rescue of the pitch-encrusted demons . His actions reveal a leader who, while participating in the cruelty of his office, is capable of pragmatic decision-making when the situation demands it.
Narrative Significance
Barbariccia serves as a focal point for Dante's exploration of infernal bureaucracy and the degradation of authority. His command of the Malebranche mirrors the corrupted governance of the barrators they punish, creating a parallel between the sin and its punishment. The grotesque trumpet signal and the chaotic brawl among the demons highlight the absurdity and futility of evil, while Barbariccia's moments of restraint underscore the ultimate subordination of Hell's powers to divine will. As a character, he embodies the tension between monstrous ferocity and the rigid order of infernal justice, contributing to the Inferno's rich tapestry of damned souls and demonic functionaries.