Pat
Pat is a minor character in Lewis Carroll's Alice's Adventures in Wonderland, a gardener's assistant who appears only in the chapter "The Rabbit Sends in a Little Bill." His brief but memorable role—marked by a distinctive Irish dialect and a comically futile attempt to dislodge the giant Alice from the White Rabbit's house—underscores the absurdity and hierarchical chaos of Wonderland, where even the most straightforward tasks become exercises in nonsense.
Identity and Introduction
Pat is introduced when the White Rabbit, having discovered that Alice has grown to an enormous size inside his house, calls out in an angry voice, "Pat! Pat! Where are you?" Pat replies from offstage, "Sure then I'm here! Digging for apples, yer honour!" This response, with its phonetic spelling ("arrum" for "arm") and the absurd notion of digging for apples, immediately establishes Pat as a comic figure speaking in a broad Irish dialect. The White Rabbit, exasperated, orders him to help extract Alice from the house, and Pat's reluctant compliance sets the stage for a series of increasingly ridiculous events.
Role in the Plot
Pat's primary function is to serve as the White Rabbit's reluctant assistant in the attempt to remove Alice from the house. After the White Rabbit's initial efforts fail—Alice's elbow blocks the door, and she sends Bill the Lizard flying out of the chimney with a kick—the Rabbit and Pat resort to more drastic measures. Pat is heard in the crowd outside, participating in the discussion about how to proceed: voices call out, "Where's the other ladder?—Why, I hadn't to bring but one; Bill's got the other—Bill! fetch it here, lad!—Here, put 'em up at this corner—No, tie 'em together first—they don't reach half high enough yet—Oh! they'll do well enough; don't be particular—Here, Bill! catch hold of this rope—Will the roof bear?—Mind that loose slate—Oh, it's coming down! Heads below!" Pat's voice is among those, and he is implicated in the decision to send Bill down the chimney, a plan that ends in disaster when Alice kicks the lizard into the air. Pat's own attempt to confront Alice is equally futile: when Alice spreads out her hand and makes a snatch in the air, she hears "two little shrieks, and more sounds of broken glass," suggesting that Pat, like Bill, has been physically repelled. The episode culminates in the animals pelting the house with pebbles, which turn into little cakes, allowing Alice to shrink and escape.
Relationships and Conflict
Pat's relationship with the White Rabbit is one of subservience and reluctant cooperation. The White Rabbit orders him about imperiously, calling him a "coward" when he hesitates, and Pat responds with a mixture of deference and comic complaint, as when he says, "Sure, I don't like it, yer honour, at all, at all!" Pat also interacts with Bill the Lizard, who is the primary victim of the group's schemes; Pat is part of the collective that pressures Bill into going down the chimney. There is no direct conflict between Pat and Alice, as she remains inside the house throughout his attempts, but his actions are part of the broader conflict between Alice and the Wonderland creatures who seek to control or expel her.
Thematic Significance
Pat's brief appearance contributes to the novel's themes of authority, absurdity, and the inversion of social hierarchies. As a gardener's assistant, he occupies a low rung in Wonderland's social order, yet he is still expected to carry out the White Rabbit's commands, however nonsensical. His Irish dialect marks him as a figure of comic otherness, and his futile efforts—digging for apples, being knocked about by a giant girl—highlight the pointlessness of much of the action in Wonderland. Pat, like Bill and the other minor creatures, is a cog in the machinery of Wonderland's arbitrary rule, and his helplessness in the face of Alice's size and power mirrors the helplessness of all the creatures before the Queen of Hearts' commands. His role, though small, reinforces the novel's central absurdity: that in Wonderland, even the simplest tasks become impossible, and the most ordinary people are caught up in extraordinary, meaningless events.
