Mr. Elton and Augusta Hawkins
Mr. Elton and Augusta Hawkins marry after a remarkably swift courtship conducted almost entirely in Bath, a union that exposes the mercenary and self-regarding foundations of both partners. The match, which Mr. Elton announces to Highbury with exultant pride just weeks after his humiliating rejection by Emma Woodhouse, is driven by vanity, convenience, and financial calculation rather than any genuine affection. Their relationship serves as a pointed contrast to the more sincere attachments that eventually form in the novel, revealing the transactional nature of marriage within their social sphere and the consequences of Emma's disastrous matchmaking schemes.
Origins and Courtship
Mr. Elton, the vicar of Highbury, had been the object of Emma Woodhouse's matchmaking ambitions. She had persuaded herself and her friend Harriet Smith that Mr. Elton was in love with Harriet, only to discover, during a carriage ride home from Randalls, that he was actually pursuing Emma herself. When she rejected him, he left Highbury in resentment and mortification, deeply offended by what he considered her encouragement and by the implication that he might be suited to Harriet, a girl of obscure birth. In Bath, he met Augusta Hawkins, the youngest daughter of a Bristol merchant. The courtship was extraordinarily rapid: the first hour of introduction was followed by distinguishing notice, then a dinner at Mr. Green's, a party at Mrs. Brown's, and soon the lady was "so very ready to have him" that vanity and prudence were equally contented. Mr. Elton returned to Highbury engaged to a woman of an independent fortune of "so many thousands as would always be called ten," a point of dignity and convenience that he paraded with self-satisfaction.
Character and Social Presentation
Augusta Hawkins, now Mrs. Elton, immediately establishes herself as a woman of insufferable pretension. She is vain, extremely well satisfied with herself, and thinks much of her own importance. Her manners, formed in a bad school, are pert and familiar; she is ignorant and conceited, with all her notions drawn from one set of people and one style of living—that of her brother Mr. Suckling's estate, Maple Grove. She constantly compares Hartfield to Maple Grove, finding them "strikingly like," and speaks of her brother's barouche-landau, his extensive grounds, and her own supposed resources with tiresome frequency. She calls Mr. Knightley "Knightley" on first acquaintance, proposes that she and Emma form a musical club, and offers to introduce Emma to Bath society as if conferring a great favour. Emma finds her "insufferable," a "little upstart, vulgar being" with "airs of pert pretension and underbred finery." Mrs. Elton's conversation is a stream of self-congratulation: she boasts of her own musical talents while neglecting them, of her devotion to home while planning endless excursions, and of her condescension in noticing Jane Fairfax.
Relationship Dynamics
The marriage is founded on mutual vanity and self-interest rather than love. Mr. Elton is proud of having secured a woman of fortune, and he seems not merely happy with her but proud, with the air of congratulating himself on having brought such a woman to Highbury as not even Miss Woodhouse could equal. Mrs. Elton, for her part, is delighted with her own importance as the vicar's wife and with the social opportunities the match provides. They present a united front of sneering negligence toward Harriet Smith, whom they treat with contemptuous disrespect, and they are openly hostile to Emma, whom they blame for the earlier matchmaking debacle. Mr. Elton's behaviour at the Crown Inn ball—refusing to dance with Harriet when she is the only young lady sitting down—reveals his pettiness and spite, while his wife encourages him with significant glances. Their relationship is one of mutual reinforcement of each other's worst qualities: she feeds his pride, and he indulges her pretensions.
Social Reception and Consequences
The Eltons are not well received by the more discerning members of Highbury society. Emma finds Mrs. Elton "worse than she had appeared at first," and Mr. Knightley, though more temperate, clearly shares her low opinion. The Eltons' treatment of Jane Fairfax is particularly revealing: Mrs. Elton takes a great fancy to Jane, but her patronage is officious and intrusive, offering unwanted assistance and pressing Jane to accept a governess position with Mrs. Smallridge, a cousin of Mrs. Bragge. Mrs. Elton's "knight-errantry" on Jane's behalf is motivated more by a desire to display her own importance than by genuine kindness. The Eltons' marriage ultimately stands as a cautionary example of what happens when marriage is treated as a commercial transaction and social stepping-stone rather than a union of hearts and minds. Their relationship, built on vanity and resentment, contrasts sharply with the genuine attachments that develop between Emma and Mr. Knightley and between Frank Churchill and Jane Fairfax, and it serves as a lasting reproach to Emma's earlier meddling and to the social values that make such mercenary matches possible.