Shark
The Shark is a minor but symbolically potent creature in Alice's Adventures in Wonderland, appearing only in the Gryphon's explanation of the whiting's tail-in-mouth posture and in Alice's garbled recitation of "'Tis the voice of the Lobster." Though never encountered directly, the Shark represents the ultimate predator of the sea, a figure of menace that contrasts with the whimsical, rule-bound dangers of Wonderland and underscores the latent threat of being eaten that pervades Alice's journey.
Role in the Lobster Quadrille and the Whiting's Tale
The Shark is introduced during the Gryphon's explanation of why whiting have their tails in their mouths. According to the Gryphon, the whiting went with the lobsters to the dance, were thrown out to sea, fell a long way, and consequently got their tails fast in their mouths. The Shark is the implicit reason for the whiting's fearful behavior: when the tide rises and sharks are around, the whiting's voice becomes timid and tremulous. This detail comes from the later edition continuation of Alice's recitation of "'Tis the voice of the Lobster," where she sings that when the sands are all dry, the Lobster is gay as a lark and talks in contemptuous tones of the Shark, but when the tide rises and sharks are around, his voice has a timid and tremulous sound. The Shark thus functions as the apex predator that inverts the Lobster's bravado, reducing it to fear.
Thematic Significance: Predation and the Threat of Being Eaten
The Shark embodies the raw, unmediated threat of being eaten that haunts Wonderland, a world where the Queen of Hearts orders beheadings for trivial offenses and where Alice herself grows and shrinks in response to consuming mysterious substances. Unlike the Queen's arbitrary executions, which are comically absurd and often unenforced, the Shark's predation is natural and inevitable. The Gryphon's matter-of-fact explanation—that the whiting got their tails stuck because they were thrown out to sea and fell a long way—treats the Shark's presence as an ordinary fact of underwater life, not a matter of justice or whim. This contrast highlights the difference between Wonderland's artificial, rule-bound dangers and the real, physical dangers of the natural world. The Shark also appears in the context of Alice's recitation, where her confused version of the poem replaces the original "sluggard" with the Lobster, and the Shark becomes the object of the Lobster's contemptuous talk—a contempt that vanishes when the tide rises and the Shark actually appears. This reversal mirrors Alice's own experience of growing and shrinking, where her size determines her vulnerability to creatures like the puppy and the Pigeon.
Narrative Function: A Threat That Never Materializes
The Shark is never seen by Alice; it exists only in the stories told by the Gryphon and in Alice's own mangled recitation. This absence makes the Shark a purely conceptual threat, a figure of the imagination that nonetheless carries real weight. The Gryphon's explanation of the whiting's tail-in-mouth posture is delivered with deadpan seriousness, treating the Shark's predation as a mundane cause-and-effect chain. The Shark thus serves as a narrative device that underscores the arbitrary and often absurd logic of Wonderland, where even the most terrifying predator is reduced to a punchline in a song. At the same time, the Shark's presence in the song—and the whiting's fear of it—echoes Alice's own fear of being eaten, which she expresses when she encounters the enormous puppy and worries that it might be hungry. The Shark, like the puppy, represents a threat that is both real and unreal, a danger that is always present but never directly confronted.