Hawks Do Not Share
A Moveable Feast“Hawks Do Not Share” names the tension at the center of Ernest Hemingway’s account of Zelda Fitzgerald’s confidence to him: she offers a secret as an intimate gift, while the hawk image makes that act of sharing seem exceptional and ominous. The phrase gathers the scene’s warmth and its later, painful significance into a single contradiction.
The Confession and Its Frame
At a party welcoming Hemingway and his companions, Zelda was tanned, friendly, and, as the narrator recalls, clear-eyed and calm. She leaned toward him and confided, “Ernest, don’t you think Al Jolson is greater than Jesus?” Hemingway presents the remark as a secret Zelda shared with him, not as a public declaration or an argument to be explained. The closeness of the gesture matters: she tells him something privately, and he receives it as a sign that all would be well.
The Hawk as Metaphor
The narration compares Zelda sharing her secret with a hawk sharing something with a man, then sharply reverses the comparison: “But hawks do not share.” The image makes her confidence feel both precious and anomalous. It does not explain Zelda through a fixed symbolic code; instead, its force comes from the distance between the personal act the narrator witnesses and the refusal of sharing asserted by the metaphor. The title preserves that friction, holding intimacy beside separation rather than resolving it.
Retrospective Significance
The narrator’s confidence that things would turn out well is set against what he says he learned later: F. Scott Fitzgerald, Zelda’s husband, wrote nothing else good until after he knew she was insane. That stark retrospective judgment changes the color of the earlier scene without changing its details. Zelda’s calm eyes and friendly manner remain part of the remembered encounter, but the secret becomes an early point in a story whose difficulties were not yet visible to Hemingway. “Hawks Do Not Share” therefore serves less as an explanation of Zelda than as a compact expression of the narrator’s belated recognition that a moment of closeness did not mean he understood what lay ahead.