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John Skipton cares for retired horses for many years

All Creatures Great and Small

At Dennaby Close, John Skipton’s care for two retired horses is a sustained daily practice, not a single act of rescue. The horses live out their retirement in a quiet riverside setting, while Skipton, once an uneducated farm labourer and now a wealthy landowner, continues to visit them in every kind of weather. Their history of work, his recollection of his own hard labor, and the practical regularity of his visits make their ease a measure of an attachment maintained over time.

Dennaby Close and the retired horses

Dennaby Close is presented as the achievement of a life’s work: its old house, extensive farm buildings, and broad stretches of grass on the lower slopes of the fell attest to Skipton’s rise from farm labourer to landowner. That setting matters to the episode because the retired horses’ comfort is not detached from the labor that shaped the farm. Their peaceful surroundings are part of a material world that Skipton himself helped build, and the scene places the animals within the history of work rather than treating them as decorative features of a country estate. When James Herriot encounters them, the horses are standing in the shallow, pebbled water near a small beach. They turn toward the approaching men but had been calmly rubbing their chins along each other’s backs. The high cliff shelters the spot from the wind, and oak and beech trees stand in the autumn light. This calm, shared setting distinguishes their present life from the work implied by their past. Their ease is visible in their companionship and in the unhurried landscape around them; retirement is shown as a condition they inhabit together, rather than merely a date in their history.

A long retirement and the work of care

Asked how long the horses have been retired, Skipton estimates about twelve years. His answer establishes that their care is not a recent response to a temporary need. It has persisted across a substantial span of their lives, and his later account makes clear that the passage of time has brought ordinary signs of age. The mare is about thirty and the gelding a year or two younger. The mare has produced fifteen foals, and both animals are losing condition and dropping partly chewed hay. The gelding has the greater difficulty chewing. Herriot examines the gelding with a pocket torch and finds that an upper molar overlaps the lower one. The resulting overgrowth forms a sharp projection that presses into the gum. The account specifies a concrete veterinary problem, rather than presenting old age as a vague decline: the horses’ difficulty eating has an identifiable dental cause. Skipton has had their teeth rasped before and judges that the work is due again. The evidence establishes the need for renewed attention and Herriot’s examination, but does not state the outcome of any subsequent treatment. The limits of what is reported leave the focus on the care already visible: noticing changes, seeking veterinary attention, and continuing to attend to animals whose working years are over.

The daily visit and shared history

Skipton’s care is expressed through repetition. A farm worker says that every day, whatever the weather, the old man can be seen making his way down the hillside. He does not arrive empty-handed: he carries a bag of corn or straw for the horses’ bedding. Rain, snow, and wind do not interrupt the routine. These details make devotion practical and measurable. It takes the form of time spent returning, provisions carried, and attention to the animals’ daily comfort, not merely an affectionate statement about them. For a moment, Skipton stands silently with his shoulders hunched and his hands in his coat pockets. He then compares the horses’ former life of labor with his own: he had worked under conditions like theirs. His remark connects the animals’ past to his personal history without claiming that their experiences were identical. It also changes the meaning of the daily journey down the hill. Skipton is not simply maintaining a generous retirement for two old farm animals; he recognizes in their former service something of his own struggle. The horses’ present quiet is therefore linked to a past both he and they have endured.

Comfort, reciprocity, and the episode’s meaning

The horses have earned their retirement, as Skipton sees it, and he gives them a peace and ease that the narrative contrasts with the comfort he has allowed himself. That contrast is not explained through a speech about duty or reward. Instead, it is established by the difference between the animals’ sheltered, companionable rest and the old man’s persistent journey to them, even in bad weather, carrying what they need. Their contentment is not treated as an accidental benefit of owning a farm; it is something his repeated actions help secure. Herriot’s reflection gathers the evidence into a simple conclusion: the motive behind Skipton’s years of attention can only be love. The word answers a series of questions raised by the scene—why he keeps visiting, why he has made the horses’ final years peaceful, and why he provides them with ease he has not claimed for himself. The episode gives that conclusion force by grounding it in particulars: a retirement of about twelve years, two elderly horses with a long working history, the mare’s fifteen foals, the gelding’s dental problem, and the daily bag of corn or straw. Skipton’s care turns the animals’ final years into a lasting relationship of recognition and responsibility, founded on the memory of shared labor.