EleanorandViolet.com
All the Bright PlacesEleanorandViolet.com is an online magazine created by Eleanor Markey and Violet Markey after they moved to Indiana. Conceived as a meeting place for two different perspectives, the site records both the sisters’ collaboration and its abrupt interruption: Eleanor’s death leaves Violet unable to write, while the surviving archive later becomes a point of contact between Violet and Theodore Finch.
Identity and Editorial Purpose
Eleanor and Violet started the site as an online magazine covering fashion, beauty, boys, books, and life. Its defining premise was not simply its subject matter but the contrast between its co-creators: the sisters wanted to offer two very different perspectives. The title presents them together, and the project’s form gives that relationship a public voice. It was a shared undertaking in which difference was part of the editorial idea, rather than something the magazine needed to smooth away.
Their collaboration was not equal in authority. Violet recalls Eleanor as older and bossier, usually in charge and usually getting her way. That imbalance shaped the work, but it also made the site an expression of their particular partnership: the surviving plans contained shorthand Violet could not decipher without Eleanor. The magazine’s identity therefore depended on both sisters not just as names attached to a website, but as collaborators whose distinct contributions had been developed together.
Publication and Audience
The site had an audience beyond the sisters’ immediate circle. The previous year, Eleanor’s friend Gemma Sterling, star of the hit Web series Rant, mentioned EleanorandViolet.com in an interview, after which its following tripled. The detail establishes a sudden increase in reach, though the evidence does not specify the size of the original readership or what the sisters did with the larger audience.
A search for Violet Markey identifies her on the site as co-creator, editor, and writer. The most recent post shown is dated April 3 of the previous year. It pairs opposite takes on Julie Plum, Girl Exorcist, a choice whose ordinary, light subject matter acquires a different meaning in retrospect: it was the last post before the sisters’ lives changed. The site’s archive thus preserves both the magazine’s everyday editorial activity and a stopping point that its writers could not have marked in advance.
Interruption and Possible Renewal
After Eleanor dies, Violet does not touch the site. She understands it as a project about sisters, and cannot see the point of continuing it without the sister who helped make it. Her silence is not presented as a lack of material alone. The crash has also left her feeling that her words died in the same instant, connecting the loss of the website’s activity to the loss of her ability to write.
The dormant site becomes an immediate practical question when its domain is due to expire. The hosting company warns Violet that she must renew it or let it go forever. She opens the sisters’ folders and sorts through notes and ideas from before the previous April, but they remain fragments without Eleanor there to explain her shorthand. The impending expiration makes the project’s uncertain future concrete: preservation would require more than keeping a web address active; Violet would have to make sense of work built through a collaboration that no longer exists.
Violet considers salvaging and revamping the site as a place for writers to share work. She imagines broadening its range beyond nail polish, boys, and music to include practical and outward-looking subjects, such as changing a tire, speaking French, and knowing what to expect after leaving school. This proposed shift would preserve the impulse to write while changing the magazine’s scope. Yet the old site still holds the sisters’ last published exchange, and Violet reads that final post before abandoning the plan.
She deletes both her own and Eleanor’s notes, deletes the hosting-company warning, and empties the trash. This is a deliberate ending to the saved working materials, not evidence that the website itself is taken offline. Her act makes the gap between a possible new project and the lost original unmistakable: the archive remains available to others, but the private notes that might have helped Violet continue it are gone.
The Archive’s Later Role
The website continues to matter through its existing posts. When Finch searches for Violet online, a result leads him to EleanorandViolet.com and identifies Violet as its co-creator, editor, and writer. After learning from a news article that Eleanor was killed in a car crash and Violet survived with minor injuries, he sends Violet a friend request. The site has not been a recent publication, but it provides a public trace of Violet that helps Finch connect the person he has met with her life beyond their encounter.
Later, after considering taking sleeping pills, Finch thinks about who will check that Violet has not returned to the school bell tower. He flushes the pills, then goes to EleanorandViolet.com and reads forward from the first post through the entire archive. The sequence links the site to his decision to remain attentive to Violet, without making the website itself a cure or claiming that its contents explain her fully. Reading the sisters’ accumulated work gives him another way to approach someone he feels may speak his language. What had been a shared platform that Violet could not bear to continue becomes, for Finch, a sustained encounter with her words—and with the collaboration those words preserve.


