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Schönbrunn Palace

All the Old Knives

Schönbrunn Palace becomes the site of Henry Pelham’s unexpected meeting with Ilyas Shishani, turning a quiet winter visit to the palace grounds into Henry’s return to a dangerous intelligence relationship. The Gloriette, its café, and the empty gardens give the encounter an atmosphere of isolation before Ilyas emerges from the dark interior.

Setting and Approach

A message on Henry’s phone directs him to the Gloriette at Schönbrunn Palace at 10.00. He recognizes it as a request to meet at the axis point of the gardens, near a café he has visited a couple of times but never for work. The message gives him no indication of who is waiting.

Henry cuts short his morning with Celia and drives west to the sprawling palace grounds. In the blustery winter weather, the park is empty. The Gloriette is closed for the season, but its gate is unlocked; so, too, is the café door. Inside, chairs and tables have been stacked against a far wall, leaving the space dark and apparently deserted.

The Meeting at the Gloriette

The quiet ends with the click of heels against tile. A man in a heavy, quilted coat steps out from behind the counter, limping and smiling, and greets Henry. It takes Henry a moment to recognize Ilyas Shishani, whose features have become ashen and gray during their four years apart. Ilyas looks fitter and more intense than the man Henry remembers from Moscow.

Their reunion is unexpectedly physical: Ilyas approaches with an outstretched hand, shakes Henry’s hand, then embraces him and kisses his cheeks. The familiar greeting unsettles Henry because he knows Ilyas is no longer the gentle baker he once met with, even as Ilyas seems to impersonate that earlier self.

Narrative Significance

The palace grounds provide a marked contrast between public grandeur and private concealment. The seasonally closed Gloriette and its empty café make the meeting place feel removed from ordinary life, while the unlocked entrances allow Henry to pass into it without ceremony. The location thus stages a sudden threshold: a brief message interrupts his morning, and the dark café reveals the return of a figure tied to his past in Moscow.

Schönbrunn Palace is not merely a backdrop to the reunion. Its formal garden axis supplies the meeting point, while the café’s darkness and stacked furniture sharpen the uncertainty surrounding the encounter. Henry arrives without knowing whom he will meet; he leaves the moment of recognition aware that the familiar face belongs to someone changed and dangerous.