Mr. Jones and the animals relationship
The relationship between Mr. Jones and the animals of Manor Farm is the foundational antagonism of Animal Farm, a system of exploitative mastery and servitude defined by the theft of labor, physical cruelty, and neglect. This relationship, rooted in the human consumption of animal produce without productive contribution, is the catalyst for the Rebellion that expels Jones and establishes the animals' self-governance, yet its patterns of exploitation and inequality are later replicated under the pigs' rule.
Exploitation and Theft of Labor
Mr. Jones, the human owner of Manor Farm, embodies the principle that "Man is the only creature that consumes without producing." As Old Major explains to the assembled animals, Jones does not give milk, lay eggs, or pull the plough, yet he is "lord of all the animals." The animals' labor tills the soil and their dung fertilizes it, but they own nothing more than their bare skin. The milk that should have bred sturdy calves goes down the throats of human enemies; the eggs that should have hatched into chickens are sold at market to bring in money for Jones and his men. Clover's four foals, each sold at a year old, are never seen again. The animals receive only bare rations and a stall in return for their confinements and labor. Even the miserable lives they lead are not allowed to reach their natural span: Boxer, the moment his great muscles lose their power, will be sold to the knacker, who will cut his throat and boil him down for the foxhounds; the dogs, when they grow old and toothless, will have a brick tied round their necks and be drowned in the nearest pond.
Neglect and Deterioration
In the years leading up to the Rebellion, Mr. Jones's capacity as a farmer deteriorates sharply. Having lost money in a lawsuit, he takes to drinking more than is good for him, lounging in his Windsor chair in the kitchen, reading newspapers, drinking, and occasionally feeding Moses on crusts of bread soaked in beer. His men become idle and dishonest, the fields fill with weeds, the buildings need roofing, the hedges are neglected, and the animals are underfed. The final crisis occurs on Midsummer's Eve, when Jones gets so drunk at the Red Lion in Willingdon that he does not return until midday on Sunday. The men milk the cows in the early morning but then go out rabbiting without feeding the animals. When Jones returns, he immediately goes to sleep on the drawing-room sofa with the News of the World over his face, so that by evening the animals are still unfed. At last they can stand it no longer: a cow breaks in the door of the store-shed with her horn, and all the animals begin to help themselves from the bins. Jones wakes up and, with his four men, enters the store-shed with whips, lashing out in all directions. This is more than the hungry animals can bear, and they fling themselves upon their tormentors.
The Rebellion and Expulsion
The sudden uprising of creatures whom Jones and his men are used to thrashing and maltreating frightens them almost out of their wits. After only a moment or two, they give up trying to defend themselves and take to their heels. All five of them flee down the cart-track leading to the main road, with the animals pursuing them in triumph. Mrs. Jones, seeing what is happening from the bedroom window, flings a few possessions into a carpet bag and slips out of the farm by another way, with Moses flapping after her. The animals chase Jones and his men out onto the road and slam the five-barred gate behind them. The Rebellion is successfully carried through: Jones is expelled, and the Manor Farm becomes theirs.
Aftermath and Memory
After the expulsion, the animals destroy everything that reminds them of Jones's hated reign: the bits, nose-rings, dog-chains, and cruel knives used to castrate the pigs and lambs are flung down the well; the reins, halters, blinkers, and degrading nosebags are thrown onto a rubbish fire, along with the whips. The animals caper with joy as the whips go up in flames. Yet the memory of Jones's time persists as a reference point. When the pigs begin to claim privileges—the milk and apples, the beds, the right to trade—Squealer's unanswerable argument is always: "Surely you do not want Jones back?" The animals, certain that they do not want Jones back, accept each new imposition. Even after the executions, when Clover looks down the hillside with tears in her eyes, she knows that even as things are, they are far better off than they were in the days of Jones, and that before all else it is needful to prevent the return of the human beings. The relationship with Jones thus becomes the negative standard against which all subsequent developments are measured, and the fear of his return is the pigs' most effective tool for suppressing dissent.
Thematic Significance
The relationship between Mr. Jones and the animals establishes the central critique of Animal Farm: that human mastery over animals is a system of theft and cruelty. Yet the novel's deeper irony is that the pigs, in their rise to power, replicate the very patterns of exploitation they overthrew. The whips that were burned are later carried by pigs supervising the work; the farmhouse that was preserved as a museum becomes the pigs' residence; the name "Manor Farm" is eventually restored. The cycle of oppression remains unbroken, and the animals' labor continues to be stolen—not by a human master, but by their own kind.