Nixon's Disease
Bag of Bones“Nixon’s Disease” is John Storrow’s shorthand for Maxwell Devore’s apparent fear of what else his recordings might reveal. In the custody dispute over Kyra, the phrase reframes a tape used by Elmer Durgin not as an isolated piece of evidence but as a possible opening onto a larger, dangerous archive—and gives John reason to think Durgin’s threat is a bluff.
The phrase in context
John introduces the expression while assessing the weaknesses in the opposition’s case. He ticks through his points at a picnic table: Devore made the call that produced the tape, whose evidentiary value under those circumstances is dubious; he did not present himself as a benign figure; and Mike’s fabrication about Mattie pushing bubbles into Kyra’s face reflects badly on Mike without seriously damaging Mattie. John’s final point shifts attention away from the contents of the known recording and toward the existence of others. He says Devore has “Nixon’s Disease.”
The expression is not presented as a formal diagnosis. It is John’s compact political analogy for a suspect’s fear that disclosure of one recording could invite demands for all the others. When Mattie asks what the tapes could contain, the question makes the analogy’s threat concrete: the danger lies not only in what Durgin’s tape shows, but in what a wider collection might establish.
The implied archive
John reasons that the tape Durgin possesses cannot be the only one. He suspects Devore is afraid that if he introduces a recording made by whatever system is installed at Warrington’s, the other side could subpoena the full set. John adds that he would certainly try to obtain them. The possible archive therefore becomes a source of leverage: a single tape could expose its existence, while a request for the rest could turn Devore’s own recording practices against him.
Mattie sees the problem in practical terms and asks why Devore would not simply destroy tapes if they were damaging. Mike offers two possibilities rather than a settled explanation: Devore may be unable to destroy them, or he may need them for other reasons. The scene leaves those possibilities open. It does not disclose the recordings’ contents or establish why Devore might retain them; the force of John’s theory rests on the possibility that the tapes cannot safely be produced or discarded.
Bluff, leverage, and consequence
John’s inference ends in a confident prediction: Durgin was bluffing, and he expects the custody challenge to be dropped. The distinction matters. The phrase does not prove what is on any recording; it helps John interpret the opposing side’s conduct and estimate its willingness to pursue the case. The threat of subpoenaing the broader archive becomes a counter-threat, making the existence of unseen evidence more consequential than the known tape.
Mike immediately cautions against treating the dispute as settled. Yet Mattie’s face brightens, and he recognizes that John’s optimism has already changed how she feels about the danger. In this brief exchange, “Nixon’s Disease” names a strategy of inference rather than a revealed secret: an expression that converts uncertainty about hidden recordings into a reason for hope, even as the outcome remains unresolved.