Nic’s second disappearance and return
Beautiful Boy: A Father's Journey Through His Son's AddictionNic Sheff’s second disappearance turns a relapse into a family emergency: after renewed meth use, he vanishes with the family’s old car, leaving David Sheff to search hospitals and police channels while confronting the limits of parental control. Nic returns after nearly a week, ill and barely recognizable, but his return does not resolve the crisis. It sharpens the family’s sense that he needs treatment and that no clean, final recovery can be assumed.
Background and Disappearance
Nic has used meth, but protests and promises do not persuade David that he can safely wait. Because Nic is over eighteen, David learns that a parent concerned about drug use cannot have him committed; involuntary evaluation is possible only through a difficult process if he poses a threat to himself or someone else. David regrets not forcing treatment while Nic was younger, while recognizing that there is no way to know whether Nic would have been ready to accept it. Now, David believes, Nic must enter rehabilitation on his own.
After sleeping as much as twenty hours a day for three days, Nic becomes depressed and withdrawn. Then, on a cold spring afternoon, he disappears again, taking the family’s old car. The word again matters: an earlier stretch of the family’s terror is described as lasting four days, while this absence becomes a six-day search and ends when Nic returns about a week after leaving.
The Search
David again calls hospital emergency rooms and checks with police to find out whether Nic has been arrested. The search is not simply a matter of locating him; each possible response seems to carry its own danger. A dispatcher advises David to send Nic to a boot camp in Arizona where children are reportedly beaten, chained, deprived of water, and exposed to extreme desert heat. Other parents offer contradictory counsel: one says to kick Nic out, while another recommends a lockup school where her daughter spent two years. David rejects the idea of making Nic homeless because he believes he would go to unsupervised friends or drug dealers.
As six days pass, David’s desperation intensifies. He searches online for accounts of young people using drugs and contacts parents connected through other parents. He also tries to understand what drugs mean to Nic. Nic has described loving writers and artists who were addicts or alcoholics; David understands that Nic experiences drugs as making him feel cleverer and less introverted and insecure. He also recognizes the dangerous belief that debauchery produces great art, an idea he associates with figures such as Hemingway, Hendrix, and Basquiat.
Return and Immediate Consequences
Nic does come back. On a still, cold, gray afternoon about a week after disappearing, he appears at the house frail, ill, and rambling, so altered that David describes him as a barely recognizable phantom. David leads him by the arm to his room. Still dressed, Nic lies on the bed and wraps himself in a comforter; David is relieved that no one else is home and he does not yet have to explain what has happened.
David concludes that therapy alone has not been enough and that rehabilitation is the remaining course. He tells Nic that he has to go, but Nic mumbles and falls asleep. David then contacts counselors and specialists for recommendations. Nic’s therapist agrees that rehabilitation is essential and consults colleagues who specialize in drug and alcohol addiction. The return therefore brings Nic physically home without restoring safety: the immediate next task is to find treatment that he will enter.
Recurrence and Retrospective Meaning
The episode belongs to a pattern of disappearance, return, and renewed uncertainty rather than to a closed crisis. In later reflection after his own cerebral hemorrhage, David recalls the many times Nic was gone and the wish he once had to erase the worry by erasing Nic from his mind. He ultimately says he no longer wants that erasure: he will accept the worry in order to keep the love that accompanies it. That later understanding does not make the search less desperate; it changes what David believes he must be willing to live with.
The book also resists treating Nic’s return as a happy ending. David later recognizes that he had wanted the family’s story about meth to end neatly, but describes addiction as incurable, though it can go into remission and be managed through sustained work. Nic’s subsequent relapse confirms the distinction between coming home and being cured. The second disappearance is thus significant both as a concrete episode of danger and as one of the recurrences that prevent temporary relief from becoming a promise of permanent safety.