Hasenheide is named as the destination of an outing by Franz Biberkopf and Lina Przyballa, with the journey carrying them into the Neue Welt entertainment complex. Its brief appearance places it within a lively episode of Berlin nightlife, where private flirtation gives way to a crowded public spectacle.

Setting and Connection to Neue Welt

The narrative links Hasenheide directly to Neue Welt: Franz and Lina leave the sofa and drift toward Hasenheide, entering the entertainment complex. The text does not describe the surrounding district in detail; its particular significance here comes from this route into a place of organized amusement.

The Outing

Before they set out, Franz teases Lina with a suggestive joke about what is in store when he nudges her onto the sofa. Their evening then opens into the boisterous atmosphere of Neue Welt. A band in Tyrolean costume plays from a balcony, while people sit among beer mugs and join in the drinking songs. Families eat at long tables, civilians mingle with soldiers accompanied by women, and an attraction offers a prize for the slimmest calves. A paper-tasseled stick costs 50 pfennigs and lets visitors make playful contact with others in the crowd.

Narrative Significance

The movement from a private room toward Hasenheide and into Neue Welt shifts the scene from flirtation to communal revelry. Beer, music, spectacle, and bodily play make the entertainment complex a concrete setting for popular leisure; the episode’s details show the crowd not as an abstraction but as people eating, singing, drinking, and joining in diversions. Hasenheide’s role in the account is therefore specific: it marks the approach to an evening of noisy, public amusement.