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Deindustrialization and community decline

Blood Shot

Deindustrialization and community decline are portrayed as a long, uneven transformation of South Chicago: the mills fall silent, industrial pollution persists, and unemployment expands, while residents preserve the order and dignity of their streets. The landscape records both material loss and continuing power. The old industrial district has not simply vanished; it remains in decaying factories, contaminated land, local political arrangements, and disputes over what kind of future the community can build.

An industrial landscape in retreat

The drive south on Route 41 makes the contrast immediate. Near Lake Michigan, expensive high-rises overlook the water; at Seventy-ninth Street, the lake abruptly disappears behind the weed-choked yards of USX South Works. Pylons, gantries, and towers emerge through smoke-hung winter air, and the scenery gives way to landfill and worn-out factories. Even with South Works on strike and Wisconsin Steel padlocked and rusting, chemicals still stream into the air. Industrial contraction has not removed industry’s physical presence or its environmental burden.

The housing presents a different kind of evidence. Bungalows facing South Works are shabby: siding is missing, paint peels, and concrete steps crack and sag. Yet their windows remain whole, their yards clear of debris. The contrast makes decline visible without reducing the neighborhood to ruin. The narrator remembers when eighteen thousand men went each day from these homes to South Works, Wisconsin Steel, the Ford assembly plant, or the Xerxes plant. Freshly painted trim and new Buicks or Oldsmobiles marked a period when industrial employment supported a stable, maintained domestic landscape. That remembered prosperity belongs to another life as well as another South Chicago.

Elsewhere, the signs of decline appear in the former commercial center. Most stores now have Spanish names, while their grimy concrete walls and displays of communion dresses, vinyl shoes, and plastic furniture seem little changed from the narrator’s childhood. Women in threadbare coats bend into the wind, and shabby, vacant-eyed men gather near storefront taverns. Men had always been present on those corners, but massive mill unemployment has swelled their numbers. The scene links economic change to public life: lost industrial work is registered not only in closed plants but in the increased visibility of people left without employment.

Pollution and the long aftermath

The district’s environmental history predates the closure of individual factories. More than a century earlier, the Army Corps of Engineers and George Pullman helped transform the marshes between Lake Calumet and Lake Michigan into an industrial center. Andrew Carnegie, Judge Gary, and other industrialists participated in the development of an area roughly four miles square, filled with dirt and clay dredged from the lake as well as phenols, oils, ferrous sulfide, and other substances. Industrial growth thus appears as a physical remaking of the land, not merely the arrival of jobs and buildings.

By the time the narrator reaches the Calumet Industrial District, the transformed landscape seems almost lifeless. Around Lake Calumet, oily mud and the scarcity of trees, grass, and birds make the consequences of that remaking difficult to ignore; the occasional feral dog is a stark exception. The Xerxes plant stands in this former swamp at 110th Street east of Torrence. Its old building dates from the early 1950s, and its faded sign still proclaims it the King of Solvents. The gap between that grand claim and the washed-out lettering makes the plant an emblem of industrial authority diminished but not erased.

Water, too, has changed meaning. As a child, the narrator and friends swam in the Calumet River despite their parents’ disapproval; returning as an adult, the thought of putting her face in its filthy water turns her stomach. This altered response condenses a broader loss: familiar places remain physically accessible, but pollution has made them unsafe or repellent. The damage is gradual and embedded in ordinary surroundings rather than confined to one dramatic disaster. Economic decline and environmental harm therefore coexist, leaving residents with both fewer industrial opportunities and the enduring material consequences of industrial development.

Uneven decline and local power

South Chicago and East Side do not display decline in the same way. South Chicago appears moribund, its commercial streets and unemployed residents exposed to the effects of mill contraction. Across the Calumet River, East Side seems almost sealed off from historical change. Five bridges provide its only links to the rest of the city, and its residents maintain an insular neighborhood identity shaped by the Eastern European villages of their grandparents. The narrator describes its isolation as stubborn, while the well-kept bungalows and obsessively tidy lots offer a visible counterpoint to the decay elsewhere.

That order is also connected to local political influence. Art Jurshak tends this part of his ward with care: street-cleaning and repair crews arrive regularly, and raised sidewalks run along the southeast side of the street. In South Chicago, newer paving has collapsed into gaping pits; in East Side, the pavement remains intact up to the houses. The contrast suggests that decline is neither uniform nor simply the automatic result of age. Public maintenance and ward-level authority shape how it is experienced, even as the neighborhood’s meticulous upkeep can feel socially exclusionary to an outsider.

The political network extends beyond paving and street cleaning. Jurshak’s ward office occupies a tidy brick two-flat on Avenue M, where residents may seek help with parking tickets or access to city employment. Police officers also come and go. The building’s sign identifies Art Jurshak as alderman and Freddy Parma as ward committeeman; next door, an insurance agency remains, the business that gave Art his foothold in the community. These services and commercial ties make local power part of the infrastructure of daily life, rather than an abstract force separate from the neighborhood.

Development, obstruction, and corporate ties

The fight over a proposed SCRAP recycling center shows how residents’ hopes for redevelopment encounter local political control. Nancy reports that O’Gara rejected a hearing because he said proposals should not proceed without community backing. When she offered to produce petitions, he insisted that some people opposed the project. Caroline connects the decision to O’Gara’s political ties with established Democrats. The episode does not establish that deindustrialization alone explains the refusal, but it shows how decisions about the district’s future pass through political relationships and contested claims to speak for the community.

The investigation into Nancy’s files reveals another layer of continuity between local institutions and industry. Among her papers is a 1963 letter explaining that Jurshak & Parma had become fiduciaries for Humboldt Chemical’s Xerxes plant, accompanied by an actuarial study comparing Xerxes’s losses with those of similar area companies and requesting the same rate consideration from Mariners Rest Life Assurance Company. The document appears routine to the narrator, yet its age and its unexpected presence in Nancy’s files make it significant to her inquiry. It links a ward-connected insurance business to the plant, while raising questions about the relationship between industrial risk and insurance.

At Ironworkers Savings & Loan, the narrator finds Gustav Humboldt among thirteen directors. An informant says Humboldt joined the board in the 1940s, when he began doing business in the area, and remained on it even after his company became one of the world’s largest and he joined the boards of a dozen Fortune 500 companies. He has missed only eight meetings in fifteen years. The detail places a powerful corporate figure inside a local institution associated with the industrial workforce, even as the mills are dying. Taken together, the factory, ward office, insurance records, and bank board show that community decline is not a clean break with the industrial past: its institutions and relationships persist, influencing whose losses are recognized and who can shape what comes next.