Sylvie Tries to Escape the Police Station Cell and Find Help
Cartes Postales from GreeceSylvie’s attempt to escape the police-station cell and find help turns a plan for mutual rescue into a night of separation, injury, and unexplained disappearance. After Jean-Luc manages to open the room’s door, the couple discover that the barrier has not been removed: hidden bars slide across the entrance, and Sylvie must leave the cell alone to seek a way out for both of them.
The door opens onto another barrier
Jean-Luc spent an hour and a half working on the file and the mechanism while Sylvie waited on the bed, turning her wedding band round and round. When she heard the mechanism give way, she sprang up with the expectation of release. Instead, the open door revealed bars. They appeared to have been flush with the wall and slid into place after the door was shut. The apparent exit had only clarified the nature of their confinement: they were in a cell.
The discovery deepened their fear, but Jean-Luc looked for another route. High on the wall was an air-conditioning vent. The bars could not be passed, and Jean-Luc’s broad shoulders made the vent impractical for him; Sylvie was petite enough to fit. Reaching it required stacking the metal bed frames. With great effort, he hauled one bed onto the other and tied them together with the dirty blankets, making a precarious ladder. His plan depended on Sylvie doing what he could not.
The climb through the vent
At first, Sylvie could not shift the grate. Jean-Luc urged her to keep trying, and after almost three hours it clattered to the floor. The opening was now clear, but getting through it meant leaving her husband behind. She told him she could not do it; he asked her to try for both of them. Sylvie hauled herself into the narrow space until her feet disappeared into the darkness. Jean-Luc called after her, but she did not answer from the other side.
She had fallen headfirst onto a balcony, where two plastic chairs softened the impact. Bruised and winded, she got up and reminded herself that Jean-Luc was relying on her. It was already dark, and the street below was empty; the houses had no lights on. She worked out that she could move along a row of balconies and climb down to the street, then find her way back to the police station. The escape from the cell had succeeded, but it had not yet brought her to safety or freed Jean-Luc.
A search for help in the dark
About ten minutes later, stiff with bruises, Sylvie climbed the police-station stairs again. The solid outer door was locked. She banged on it and called out, hoping Jean-Luc would hear and know she was safe, while inside he sat on the floor trying without success to get a phone signal. Both phones showed nine in the evening. His hunger, already severe after the previous day, had worsened. Sylvie, meanwhile, had to find help to get him out.
The village streets wound without an obvious pattern. She reasoned that following a gentle downward slope would eventually bring her to the sea. A dog charged out of the shadows but stopped at the end of a heavy chain; after the fright, her heart pounded. Then she stumbled against a low bollard and fell. Her left wrist broke, swelling rapidly until her fingers began to stiffen. Before they became too swollen, she removed her wedding ring and put it in her jeans pocket. Her knee was badly cut, blood showing through a tear in her jeans. She sat on the kerb, rocked with pain, wept, and vomited into the gutter. After several minutes she used the bollard to pull herself up, only to have to sit down again when she could not keep walking without feeling faint.
The return to an empty cell
Sylvie eventually reached the village’s Easter gathering and saw the burning effigy of Judas. She stood in shock as the flames died down, the charred figure smouldered, and the support of the gibbet toppled into the sea. The crowd had dispersed, and she was afraid to remain alone. She did not return to the police station expecting a policeman to help; she already believed that would be futile. Instead, she turned away from the water and hobbled back, supporting her broken wrist with her right hand. Each step hurt, but the appearance of more lights in the houses and the familiar police-station sign gave her a route to follow.
This time the bars had been slid back and the inner door opened easily. Inside, the two beds were returned to their original positions, their grey blankets neatly tucked in; the vent was back in place. There was no sign that anyone had slept there, and no trace of Jean-Luc—not even a car key or toothbrush to show that the couple had been in the room. After all the effort it had taken to open the vent, its restoration and the room’s order made the cell seem as though it had never held them. Sylvie had escaped it, but could find no evidence of what had happened to her husband.
She fled the village, driven by adrenaline and certain only that she had to leave. The walk to the main road took twice as long as it had the day before. Their jeep remained locked and had no petrol. Around four in the morning a truck passed without stopping; Sylvie sat by the roadside in shock, her wrist and knee throbbing. Her wedding ring had fallen from her pocket sometime during the ordeal. At daybreak a farmer gave her a lift, understanding only that her car had broken down and her wrist was cracked. The attempt to rescue Jean-Luc thus ends not with a reunion or explanation, but with Sylvie injured, separated from him, and carried away from the village.