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Julia Joaquin

Day of the Dead

Julia Joaquin is Delia Ortiz’s great-aunt and a respected, influential figure in Little Tucson whose concern for family becomes a force for action. She approaches Gabe Ortiz when she fears Delia may be unhappy, helping bring Delia back into contact with her community and ultimately toward a tribal legal position. Later, she challenges Delia’s anger toward Manny Chavez, asking her to consider more than one side of their history. Julia’s role is modest in the number of scenes she occupies, but consequential in how she notices distress and acts on it.

Identity and Family

Eight years before Gabe Ortiz reflects on Julia’s visit, she arrives at the tribal chairman’s office with the ceremony appropriate to her standing in the village. The narration describes her as one of Little Tucson’s movers and shakers. Gabe greets her formally in their native language and expects some preliminary conversation, but Julia moves directly to the concern that brought her there: she asks whether he remembers her sister’s daughter, Ellie Chavez, and Ellie’s little girl, Delia. The family connection is specific: Julia is Delia’s great-aunt, and her own sister is Ellie’s mother.

Gabe remembers Delia as a child watching from the shadows of Sister Justine’s garage while he worked on a broken-down Falcon. He has also heard that Ellie eventually divorced her husband around the time she graduated from college. Rumors about Ellie’s later relationship with a wealthy Anglo woman have reached him, but he has paid them little attention. These details establish the distance between Julia’s direct family concern and the gossip that circulates around the family: her visit is not presented as an attempt to trade in rumor, but as an effort to find out whether Delia needs support.

Concern for Delia

Julia tells Gabe that Delia has not said anything directly, but that her letters have changed. That small alteration is enough to make Julia uneasy. She knows Gabe is due to travel to Washington, D.C., the following month for an Indian gaming conference with leaders from other Western reservations, and she raises Delia’s situation in connection with his trip. Gabe understands that the conference gives Julia a practical reason to ask him to visit, though he hesitates over whether Delia will welcome what might feel like interference.

When Gabe does meet Delia in Washington, she asks whether her mother’s aunt sent him. He acknowledges that Julia asked him to stop by because she was concerned and wanted to know whether Delia was happy. Delia reacts with anger: she barely knows Julia and doubts that she would recognize her in the street, so the concern feels to her like an intrusion into private affairs. The scene makes the limits of Julia’s intervention visible. Julia has acted from worry, but Delia has not granted her closeness or invited her involvement; Gabe must explain the purpose of the visit rather than assume that family concern will be received as welcome.

The Tribal Attorney Offer

Julia’s involvement brings Gabe into contact with Delia, but the narrative distinguishes that introduction from the decision to offer her a job. Gabe explains that the tribe needs a new attorney because Elias Segundo is about to retire, and offers Delia the position. Delia wonders whether the offer rests on Julia’s recommendation or on a review of her academic record and work. Gabe says he has done neither. Instead, he says that he can see she is her mother’s daughter, and that is enough for him.

The exchange keeps Julia’s influence meaningful without making her the decision-maker. Her concern prompts Gabe to seek Delia out; it does not amount to a documented professional endorsement, and Gabe expressly disclaims having relied on one. The offer emerges from his own judgment and from the tribe’s need for a successor. Julia’s intervention therefore opens a door, but Delia is still confronted with a consequential choice about her work and connection to home.

Counsel and Narrative Role

Julia appears again after Delia returns to Arizona and takes responsibility for Manny, who has been sent home from Tucson seriously injured and nearly helpless. Delia’s resentment is sharpened by other betrayals in her life, and she is ready to condemn both Manny and Eddie as worthless drunks. Julia comes to Sells and finds Delia making popover dough while Manny rests in his wheelchair in the next room. During this ordinary domestic task, she tells Delia that blaming her father for everything is hurting Delia herself and urges her to forgive him. She appeals to Delia’s intelligence and legal training, insisting that learning to see only one side would be a failure to use what she knows.

Julia’s defense of Manny does not erase Delia’s anger or establish that their conflict is resolved. The narration emphasizes that Delia least expects Julia to defend him, making the counsel a genuine interruption to her settled judgment. Julia asks her to hold responsibility and injury in a wider view rather than reduce her father to the sum of what has hurt her. The juxtaposition of legal reasoning with the patient work of preparing food gives the advice a grounded, familial setting: Julia’s intervention is not a formal ruling, but a plea made in the middle of daily care.

Across these episodes, Julia’s influence works through attention and initiative rather than authority over Delia. Changed letters alert her to a possible problem; a visit to Gabe turns concern into contact; and a later conversation presses Delia to reconsider a painful family relationship. Her actions do not guarantee reconciliation, and the text does not show her controlling the outcomes. Instead, she serves as a link between generations and between private difficulty and communal responsibility, willing to step into matters that Delia may experience as intrusive because she believes that silence and one-sided blame can leave a person alone with hurt.