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The Hidden Girl in the Swimsuit

Dumplin'

Willowdean’s body confidence is tested by desire, social scrutiny, and the pageant, until she chooses visibility without claiming that insecurity has disappeared.

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Naming Her BodyNaming Her Body from "Dumplin'". Naming Her Body Fat as description Willowdean calls herself fat without treating the word as an insult.
Naming Her Body Fat as description Willowdean calls herself fat without treating the word as an insult. She believes that a person’s body is visible and should not have to be disguised by euphemism. Confidence with limits She swims despite stares and refuses to apologize for having thighs. Her confidence is real, though it does not mean she is immune to other people’s judgments.
The Poolside RetreatThe Poolside Retreat from "Dumplin'". The Poolside Retreat A moment of ease Willowdean enjoys floating in the pool until a child asks whether she is dead and points out her flushed skin.
The Poolside Retreat A moment of ease Willowdean enjoys floating in the pool until a child asks whether she is dead and points out her flushed skin. The comment interrupts a moment when she had felt free of other people’s attention. A friend left behind At the lawn chair, Callie’s questions about the pageant and Ellen’s silence make Willowdean feel exposed. She leaves, angry both at the cruelty and at herself for needing protection.
Touch and Self-RevulsionTouch and Self-Revulsion from "Dumplin'". Touch and Self-Revulsion Desire becomes bodily awareness Willowdean kisses Bo willingly, but when his hands reach her back and waist, her mind turns against…
Touch and Self-Revulsion Desire becomes bodily awareness Willowdean kisses Bo willingly, but when his hands reach her back and waist, her mind turns against her body. She imagines how she compares with other girls and feels ashamed of her own reaction. The contradiction persists Bo’s attraction does not automatically make Willowdean comfortable in her skin. The experience complicates her belief that being desired should be enough to repair insecurity.
The Red Suit in PublicThe Red Suit in Public from "Dumplin'". The Red Suit in Public A feared entrance Willowdean wears the red-and-white polka-dot swimsuit she once lacked the courage to wear.
The Red Suit in Public A feared entrance Willowdean wears the red-and-white polka-dot swimsuit she once lacked the courage to wear. She names her thighs as the feature she dislikes most, but she walks onto the stage anyway. Shame does not win No catastrophe follows: the audience does not boo, and the world does not end. She decides that having a body is enough reason to wear a swimsuit, even while acknowledging discomfort.
More Than One TruthMore Than One Truth from "Dumplin'". More Than One Truth Confidence and insecurity coexist Willowdean does not emerge from the swimsuit round cured of self-consciousness.
More Than One Truth Confidence and insecurity coexist Willowdean does not emerge from the swimsuit round cured of self-consciousness. She can name parts of her body she dislikes and still refuse to treat them as reasons to disappear. A more complete self-image Her identity holds contradictory feelings at once: fat and happy, insecure and bold. The change is not a new perfect image but a more generous understanding of how many states can belong to one person.
At the beginning of summer, before Willowdean’s romance with Bo
Early summer, during Willowdean and Ellen’s first swim of the season
Early summer, during the second kiss by the abandoned school
Pageant night, during the swimsuit round
Pageant night, after Willowdean’s performance