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Elena—Isabel

Elena Knows

Elena and Isabel are bound by a meeting that each remembers as the beginning of a different debt. Twenty years after Rita brought Isabel to Elena’s home while Isabel was trying to end her pregnancy, Elena seeks Isabel’s help investigating Rita’s death. Elena believes Rita saved Isabel and that Isabel might repay the favor by lending Elena the able body her Parkinson’s disease has taken from her. Isabel remembers the intervention not as a rescue but as the moment her freedom to refuse motherhood was overridden. Their relationship makes the past less a settled story than a dispute over whose account of an act of help will prevail.

The encounter that joined them

Elena first meets Isabel when Rita arrives home with her one afternoon. Elena is knitting beside the heater, and the house is scented by orange peel simmering in hot water. Rita supports the distressed woman into her room and lays her on the bed. Elena offers practical help, bringing a bucket and asking whether she should call a doctor, while Rita searches through Isabel’s handbag for an address or telephone number. Isabel is unable to answer; Rita tells Elena that she cannot see how distressed the woman is. The scene establishes their different positions: Elena tries to respond to what is immediately before her, while Rita has already decided what must be done.

Rita explains that she found Isabel on the way to the Sacred Heart Catholic School, where Rita worked. Isabel was across the street, vomiting and holding a paper with an address and the name Olga. Rita understood that Isabel was going to seek an abortion. She first tried to stop her through argument, invoking religious belief, the fetus’s heartbeat, and the future guilt she thought Isabel would feel. Isabel insisted that she did not want to be a mother and did not accept Rita’s claim that the decision was not hers to make. When Rita noticed Isabel’s wedding ring, the argument also turned to the husband whose wishes she had initially dismissed as irrelevant; Isabel said she did not care what he thought and indicated that he had already harmed her.

The practical details make the intervention more than an argument. Isabel’s handbag contained laboratory results confirming her pregnancy and an electric bill bearing her name and the address on Soldado de la Independencia. Rita read the unfamiliar street name, then arranged a taxi. She left Isabel in the bedroom while she went to the station to find one, and returned with Elena’s help to bring Isabel to the car. Elena obeyed Rita’s instruction to get changed and then helped her daughter escort Isabel outside. What Elena experiences as joining Rita in getting an exhausted stranger home becomes, in Isabel’s later account, an act of confinement and force.

A favor remembered as coercion

Elena’s later understanding rests on Rita’s account of that afternoon and on what followed. To Elena, Rita’s intervention prevented Isabel from making a decision she would regret; Rita prevents Isabel from obtaining an abortion, and Isabel subsequently has a daughter and builds a family. Elena sees the outcome as evidence that Rita’s persistence gave Isabel a life she might otherwise not have had. She remembers the woman Rita carried into their house, and the daughter who, in Elena’s view, owes Rita for what happened.

Isabel does not accept that account of the debt. At their later meeting, she recalls that Rita brought her home despite her resistance and locked her in the bedroom. Isabel says that the event did not make her feel indebted; she believes it took away the strength she had gathered to resist the pregnancy. Her understanding of the following months is likewise not Elena’s story of a happy outcome. Isabel says that her husband, Marcos, and his partner kept her under close supervision during the pregnancy, with nurses present day and night and Isabel sedated. She describes Isabel’s sexual assault and coerced pregnancy as part of a life imposed by other people, not as a path toward a family she had chosen.

The difference remains visible in Isabel’s account of her daughter, María Julieta Mansilla. Isabel says she performed the duties of raising her: she fed her, took her to school, bought her clothes, and held birthday parties. She also says that María Julieta Mansilla calls her Isabel, not Mum, and that she never loved her as her daughter, though she could love her as a good person. Isabel identifies her husband as the person who took on the role of both father and mother. These details sharply challenge Elena’s assumption that becoming a mother, and later having a child in one’s home, necessarily changes a woman’s desire or feeling.

Elena’s appeal and Isabel’s refusal

When Elena visits Isabel, she has run out of leads in the investigation into Rita’s death. She has written a list of possible suspects for Benito Avellaneda, the officer assigned to the case, but the people on it were elsewhere when Rita was killed. Elena reasons that the unknown killer may not be on the list because she does not know them; the investigation might require more movement, interviews, clues, and evidence. Yet her body can barely carry her through the present day. She tells Isabel that she needs a body able to help, and explicitly asks her to lend what Elena no longer has.

Elena presents the request as a chance for Isabel to repay the old favor. Rita helped Isabel without knowing her, Elena argues, so Isabel might now help Rita’s mother. She recalls that Isabel has a family and that photographs sent to Elena and Rita show them holding together at New Year. Against this picture of an achieved family, Elena sets her own loss: Rita is dead, her body is in the ground, and Elena cannot embrace her. The request is therefore both practical and intimate. Elena wants help with the investigation, but she also invokes Isabel’s supposed obligation to a daughter whose death has left her alone.

Isabel initially appears to recognize the claim before Elena has fully explained it, but she rejects the debt as Elena defines it. She says she cannot help Elena because she killed Rita by wishing her dead repeatedly. Isabel clarifies that she never physically caused Rita’s death and had not seen her or spoken to her face to face again; her language of killing refers to the thoughts she says she directed toward Rita over many years. She compares that inward hostility with the way she believes Rita killed her that afternoon by bringing her home and making motherhood unavoidable. The symmetry does not reconcile them. It reveals that each woman understands herself as injured by the other’s daughter.

Two accounts of the same past

Elena insists that Isabel’s family and the life that followed are part of the good that came from Rita’s action. Isabel asks what good Elena means, and refuses the idea that a positive outcome makes the means acceptable. Their disagreement is not simply over whether Rita intended to help. It concerns whether intention can settle the meaning of an intervention when the person receiving help experienced it as the loss of choice. Elena repeats that Isabel thought she did not want to be a mother; Isabel insists that she never wanted it. When Elena assumes that holding and nursing a baby changed her, Isabel answers that she could not nurse María Julieta Mansilla and that her breasts were empty. The exchange leaves no shared version of maternal feeling for Elena to rely on.

Isabel also tells Elena what Rita could not have known when she found her. Isabel says Marcos forced sex on her early in their marriage, that the abuse continued until she became pregnant, and that he then stopped touching her. She identifies Marcos’s partner as present during the assault and says both men helped keep her under control during the pregnancy. Before Rita found her, Isabel had gone to Marcos with the test results and asked not to have a child; he struck her and rejected her. A nurse from his clinic, after seeing Isabel distressed, gave her the address and name Olga. The disclosure changes the weight of Elena’s remembered scene: Isabel was not simply a stranger who had made an abstract choice, but a woman seeking a way out of a pregnancy amid abuse and pressure from people around her.

Elena hears this account but cannot readily revise the meaning she has given Rita’s intervention. She explains that people can describe Parkinson’s disease, but that its reality becomes known only when it is inside one’s body. Isabel’s testimony about pregnancy and its consequences presses the same distinction between knowing about an experience and living it. Yet the comparison does not produce agreement or easy sympathy. Elena is contending with her own physical decline and the loss of Rita; Isabel speaks from a history in which Rita’s action helped determine her life. Their silence, pauses, and crossed explanations show two people unable to make the other’s experience fit the story each needs to tell.

The unresolved consequence

The conversation turns from their shared past to the circumstances of Rita’s death. Isabel asks what could have made Rita do something she had never thought herself capable of: go to a church on a day she feared, walk through a storm she believed could kill her, and climb the tower. She proposes that Rita may have wanted the lightning she feared to strike her, and that when it did not, she chose to hang herself. Isabel’s account is presented as a question about Rita’s possible state of mind, not as proof that she knows why Rita died. Elena has come seeking facts about the death, but Isabel offers an interpretation that exposes how little either woman can claim to know about the other’s daughter.

Elena can finally offer only the fact that it was raining. Isabel answers that the rain is not in dispute and asks what Elena wants from her; Elena, angry and confused, cannot turn the detail into the explanation she has come to find. Their relationship ends this encounter without repayment, reconciliation, or a common judgment of Rita. The twenty-year-old episode remains at once the reason Elena approaches Isabel and the reason Isabel refuses Elena’s terms: for Elena, Rita’s act created a debt; for Isabel, it began the coercion that shaped her life. The opposing memories make the relationship a test of whether an outcome another person calls salvation can erase the experience of having one’s choice taken away.