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Bea and Chavela’s Friendship

Gente que viene y ¡Bah!

Bea and Chavela’s friendship is tested when Bea retreats from Víctor after witnessing his kiss with the TV News Presenter. Chavela offers her a home and a steady, comic counterweight to her spiralling suspicions, but does not simply endorse her avoidance: she challenges Bea to speak to Víctor and names the insecurity keeping her stuck. Their bond is intimate enough to shelter Bea and candid enough to irritate her, and it gives her a place from which to reconsider what happened without resolving every doubt for her.

Refuge in Chavela’s Apartment

In the days after the kiss, Bea calls Chavela her best friend, perhaps her only true friend, and stays in Chavela’s tiny apartment rather than returning home for clean clothes. The space measures just twenty square metres. Bea borrows from Chavela’s wardrobe, including jeans that sit too short and loose at the waist, and even admits to taking her underwear. The smallness of the apartment makes the refuge physically close and, as the stay continues, difficult to share.

Chavela nevertheless becomes Bea’s support through the immediate crisis: the person she clings to, cries with, and relies on to keep from losing control. Bea has just seen Víctor kiss the presenter, and her response is to refuse his calls and WhatsApp messages, hide in a cupboard when he comes to Chavela’s door, and reject the friends and sister he sends to mediate. Chavela’s home is therefore not merely somewhere Bea sleeps. It is where she can withdraw from the confrontation she cannot yet bear, while remaining in the company of someone who sees the withdrawal clearly.

Humor and Frank Advice

Chavela’s way of supporting Bea is shaped by humor. She is a psychologist and a Tinder addict who can turn her own disastrous dates into stories so exaggerated and funny that Bea cannot stop laughing, even when the tales are presented as horror stories. Chavela talks about wanting to form a therapy group for people addicted to Tinder, while also acknowledging that the app helped her become the promiscuous woman she had wanted to be as a teenager. Her stories give Bea a means of seeing romantic disaster from a less absolute angle; Chavela can make a drama feel survivable by turning it into an absurd story.

That lightness does not mean she avoids difficult truths. When Bea insists that Víctor proposed to save her job, Chavela points out that Bea does not know this and should meet him so he can explain. She says the alleged scheme does not seem like him, even while Bea argues that his affair makes anything possible. Later, Chavela identifies Bea’s fear that someone like Víctor could be with a woman like the presenter as the source of her paralysis. Bea responds by calling her a lousy psychologist, but the bluntness is part of their closeness: Chavela is willing to risk annoying her rather than simply reinforce the story Bea has built around the betrayal.

A Strained Shared Space

The apartment’s crampedness turns affection into friction. Chavela jokes that she is not asking Bea to stop stealing her underwear, but asks whether Bea might speak to her boyfriend; she also points out that Bea keeps locking herself in a cupboard whenever the doorbell rings. When Bea resists, Chavela tells her she can leave, then clarifies that she is not throwing her out: Bea is distraught, and it is difficult to live in so little space with Bea, Víctor, and the TV News Presenter all effectively occupying the apartment through Bea’s fixation.

The presenter has become an imagined presence in their shared home. Bea has read everything about her, examined her photographs, and downloaded TVE broadcasts to watch her read the teleprompter, introduce video, and improvise live. Eight days after the kiss, a report in Cuore magazine says Víctor left the presenter’s flat at eight in the morning, confirming Bea’s fear that the kiss had become more. Bea keeps watching celebrity-news programmes for coverage, while Chavela, after work one night, decides they must deal with the situation. She brings home honey rum, Bea’s weakness, and pours generous measures into the glasses they use for Cola-Cao. The gestures are practical and playful: Chavela knows what Bea likes, but also tries to move her out of passive waiting.

Facing Víctor, Then Leaving

With Chavela’s encouragement, Bea agrees to meet Víctor at home that night, despite being drunk and insisting she is fine to take a taxi. Chavela warns her that it is not the best moment and tells her to shower first. After the meeting, Bea returns happy and excited by Víctor in a way she says she has not felt for a long time. She decides that he loves her and that the affair and the proposal’s connection to her job were misunderstandings; she imagines returning to him and one day telling their children the story as an anecdote.

Chavela has apparently had enough of sharing the sofa with Bea, who talks in her sleep about the same subject, and sends her to sleep there. Even after the encounter with Víctor, Bea’s doubts return. She questions his account of going with friends to the presenter’s home, the rumour at her office that the proposal was intended to protect her job, and whether the two misunderstandings justify abandoning five years together. Chavela’s support has helped Bea meet Víctor, but it has not supplied certainty about what to believe.

After deciding not to rush back, Bea stays for three more days to examine what happened. She then fills Chavela’s refrigerator with expensive groceries, using part of her severance pay as a thank-you for Chavela’s patience, and announces that she is going home. Chavela’s shining, delighted expression makes Bea imagine her celebrating with party favors and streamers. The parting is affectionate and comic, but it also marks the limit of the refuge: Chavela has kept Bea company through avoidance, confrontation, renewed hope, and renewed doubt, while Bea must make her next decision outside their crowded apartment.