Jonás Gets into a Drunken Fight with Dwarfs
Gente que viene y ¡Bah!Jonás Gets into a Drunken Fight with Dwarfs is a late-night family episode in which an unexplained bar fight brings Jonás home in the custody of Jacobo, a Guardia Civil officer. Its significance lies as much in the aftermath as in the violence itself: Jonás arrives intoxicated and unable to explain himself, the household gathers to care for him, and Jacobo reveals that he has used a private family matter to persuade the other men not to pursue a complaint. The scene does not disclose what started the fight, leaving its central incident unresolved even as its consequences play out in the open.
The Call Before Dawn
At three in the morning, persistent ringing at the front door interrupts the household. Bea is the one who gets up to answer it. Gollum, unaccustomed to being disturbed at that hour, barks hysterically, and the noise brings the rest of the family downstairs while Bea is already opening the door. The interruption is especially unwelcome because her father is known to react badly when his sleep is disturbed; the scene establishes that the family is being pulled suddenly from ordinary nighttime privacy into a problem it does not yet understand.
On the doorstep, Bea finds Jacobo in his Guardia Civil uniform. He apologizes for waking her and begins to explain that he has brought someone. The person is Jonás, seated on the ground and leaning against the wall. The placement makes the condition of the returned man immediately plain: he is not arriving under his own power or presenting his version of events, but has been left outside the house by the officer who found him after the disturbance. Bea recognizes him as her father and rushes to help.
The Fight and Its Unknown Cause
Bea and Jacobo lift Jonás and get him inside. His breath smells of alcohol, which identifies the immediate condition in which he has been brought home, but does not explain the fight. When asked what happened, Jacobo gives the basic account: Jonás fought with some short-statured men in a bar. Bea’s surprise at the plural leads to a clarification that the men were in town for a convention. The convention, it turns out, was for ornithologists, not for short-statured people; two attendees happened to be very short.
The mistaken assumption becomes the scene’s comic hinge. Bea connects the birdwatchers’ interest in birds with the men’s height, and Jacobo answers that they have binoculars. The exchange turns a potentially alarming report into dry, irreverent family banter, but it does not make the encounter itself less real. The men were bar patrons at an ornithologists’ convention, and Jonás had fought them. The account supplies no trigger, no sequence of blows, and no explanation for why the confrontation began. When Bea later asks how it started, Jacobo says he cannot tell her: he and his colleague arrived only after the bar owners called them.
Bringing Jonás into the House
Getting Jonás through the door is only the first difficulty. Bea and Jacobo manage to place him on the sofa, where his head becomes awkwardly caught between his arm and the sofa arm. Bea cannot find a way to reposition it and gives up. The moment resists any polished rescue: the household has to manage the practical indignities of an intoxicated relative, rather than resolve the incident neatly.
León, Débora, and Ángela come out to help. Gollum climbs onto the sofa despite having only three legs and persistently licks Jonás’s face. Ángela removes the dog, but Gollum keeps trying to get back up. The animal’s insistence adds a physical, disorderly counterpoint to the family’s attempts to settle Jonás. Ángela asks whether he is all right and offers to make him coffee, while also reproaching him for getting so drunk. Jonás does not offer an explanation; he mutters an insult about the short-statured men and later insists, indistinctly, that they were fighters. Jacobo confirms that they were giving Jonás a hard time. The scene therefore shows both the family’s care for him and the fact that he had been badly outnumbered or overpowered, without claiming that he was uninjured or clarifying how the fight unfolded.
The Complaint and the Private Disclosure
The fight has an immediate possible legal consequence. According to Jacobo, the men wanted to file a complaint and have Jonás spend the night in a cell. Jacobo and his colleague had been called by the bar’s owners and came after the altercation, so Jacobo was not an eyewitness to its beginning. He says he persuaded the men to drop the matter by telling them part of the family drama.
Débora reacts at once, fearing that Jacobo has disclosed the matter she is trying to keep private. His answer is practical: he chose disclosure over leaving Jonás in custody. He also reassures her that he was discreet and that nobody else in the bar learned what he had said. The men, he adds, did not understand why the matter was so serious. The episode thus links Jonás’s public misconduct to a separate private vulnerability within the household: that information becomes leverage in an attempt to avert a complaint, even as its disclosure alarms Débora. The distinction between what happened in the bar and what Jacobo told its patrons remains intact; the cause of the fight is still unknown, and the family is left with the immediate tasks of getting Jonás settled and protecting what was confided.