Débora–Teodoro relationship
Gente que viene y ¡Bah!Débora and Teodoro’s relationship moves from an uncomfortable family complication toward an increasingly accepted, if still uneasy, connection. The decisive change comes when Teodoro saves Fin during a motocross accident: his actions give Débora a reason to acknowledge him not only as Óscar’s father, but as someone who has earned a place in the family’s life.
From guardedness to recognition
When Teodoro joins the family at the motocross event, he asks whether Débora has brought Óscar and whether he can see the child. Débora puts herself between Teodoro and the stroller, explaining that she does not want Óscar exposed to dust. The gesture establishes her immediate caution: his interest in the child is present, but she controls whether and how he gets close. Teodoro does not press the point; he suggests that Óscar need not be taken out of the stroller.
The balance changes in the emergency that follows. After Fin is pinned beneath his motorcycle, Teodoro helps save him. When the injured Fin is being put into the ambulance, Débora is bewildered and overwhelmed, while Juan approaches her to ask whether Teodoro is the person he thinks he is and what he is doing there. Débora answers with anger, but also with a trace of pride: Teodoro has saved her nephew and managed to reach the track when others did not. Her defense is pointedly about what he has done. Rather than offering a general reconciliation, she recognizes his conduct in the moment when it matters.
The ambulance scene gives that recognition a more personal consequence. Teodoro is identified as Óscar’s father, and the narrator’s response confirms that he has, in effect, earned that acknowledgment. Débora’s account of his rescue does not erase the complications between them; it gives her a concrete reason to treat him with respect despite them.
A bond formed through care
Fin’s recovery carries the relationship beyond the racetrack. Doctors rule out complications three days after the accident and discharge him with his leg in a cast, unable to get around easily even with crutches. He stays at Bea’s parents’ home, where the family can help care for him. Teodoro, meanwhile, develops a close friendship with Fin over Skype. Fin’s attachment to him means that Teodoro is no longer connected to the household only through Débora or Óscar: he has become important to another member of the family as well.
That friendship repeatedly brings Débora into contact with Teodoro. When he appears on Fin’s screen, he greets her and asks her to bring Óscar closer to the camera. She does not always agree, preserving the selectiveness she showed at the race, but Fin’s persistence sometimes persuades her. The pattern is significant for its modesty: access to Óscar is still negotiated, yet Débora no longer blocks every attempt. Her willingness to yield on some calls allows Teodoro to maintain a connection with his son without implying that all earlier reservations have disappeared.
The family’s exchanges turn the video calls into a small social routine. Ángela also takes the opportunity to greet Teodoro and talk with him, and a meal is left open as something they can arrange. Ángela welcomes his arrival in their lives; the warmth of that welcome contrasts with Débora’s continuing irritation. Teodoro’s connection to the family is thus becoming collective rather than confined to the question of paternity, though Débora remains the person most visibly unsettled by the change.
Acceptance without ease
Fin often talks about Teodoro, and Ángela encourages him to visit both Óscar and Fin. When Fin jokes that this could make people think he has fallen in love with Teodoro, Teodoro responds by framing the possibility as a familiar kind of patient–therapist transference. The exchange is playful rather than evidence of a romance between Débora and Teodoro. Its importance lies in how comfortably Teodoro now participates in family conversation, including teasing about the attention Fin gives him.
Débora, watching this wider welcome take shape, complains to Bea that the stripper is going to end up in the house whether she likes it or not, and that her opinion seems to count for nothing. Her protest shows that gratitude has not made her comfortable with Teodoro’s growing presence. The same rescue that gives the family a reason to embrace him also makes refusal harder for her: he has saved Fin, Fin wants him close, and Ángela is glad he entered their lives. Débora is caught between her own resistance and these relationships around her.
Bea suggests that Ángela may have a point, but the scene does not resolve Débora’s misgivings or define a settled future between the adults. Instead, the relationship remains in transition. Teodoro’s role as Óscar’s father is reinforced by repeated contact, while his rescue of Fin earns him a wider family bond; Débora’s intermittent cooperation coexists with open frustration. The result is not a simple reconciliation but a developing connection sustained by acts of care, family involvement, and the practical difficulty of keeping at a distance someone whom the people she loves have come to value.