The Mastaba Club
Good Morning, Midnight (Reginald Hill Edition)The Mastaba Club is a dining venue whose carefully repeated routines provide a setting for Tony Kafka’s business conversations with Victor Warlove. Its unchanging lunch service gives the club an air of enclosure and ritual, while the talk conducted over its meals concerns political sensitivities, trouble elsewhere, and the impending scrutiny of Ashur-Proffitt.
Setting and Routine
The club’s dining room is presented through its members’ habits as much as through its food. At a later lunch, the same members occupy the same places, the same waiters follow the same routes between tables, and the trays carry the same soup. The scene imagines the room as a loop repeating itself, a pattern so fixed that even lunch seems to recur without change. This is a description of the room’s routine, not evidence that Tony Kafka witnesses the later scene: the narration frames his possible view as hypothetical.
The meal also establishes a contrast between the club’s service and its social function. Tony regards the wine as excellent but finds the food difficult to regard as food at all; the soup is described as grey-green and pond-like. The account makes the meal less a source of pleasure than a familiar prelude to conversation. At The Mastaba Club, the meal’s predictability is part of the occasion: once soup is served, serious business begins.
Tony Kafka and Victor Warlove
Tony Kafka attends a meal at the club as the guest of Victor Warlove, whose position as Under-Secretary in the Department of Overseas Aid gives the gathering an official dimension. Warlove’s physical description is deliberately comic: he is short, very stout, and bald, and his hairy Harris tweed suit is likened to a source of matching rug material. The portrait’s caricatural detail sits beside the serious business associated with his government role, making the club’s world both ceremonious and satirical.
When Tony’s phone rings, he leaves the dining room immediately. His haste is connected to his prior knowledge of the members’ sensibilities: they dislike being reminded that the Old Queen is dead. The moment shows that the club’s settled social atmosphere depends partly on keeping unwelcome subjects out of view. Tony’s departure interrupts that atmosphere, while Warlove remains behind to watch him go.
Business Conducted Over Lunch
The club’s meal functions as a recognizable threshold between dining and negotiation. Once the soup signals the start of serious business, Warlove asks Tony whether an incident farther north is cause for concern. The question turns the meal from social hospitality toward the practical assessment of events outside the club. The evidence does not specify the incident in this exchange, but it establishes that Warlove wants to know whether it has consequences for their concerns.
The club’s dining room is also associated with a later discussion of regulatory pressure on Ashur-Proffitt. Tony says that he has reliable information that the U.S. Securities and Exchange Commission will launch an investigation into the company shortly before the close of business that afternoon, which he calculates as about eleven o’clock local time. He had warned his interlocutor the previous day, though the investigation is arriving sooner than he had predicted. The conversation concludes with an instruction to proceed, linking the club’s recurring meal setting to decisions made under the pressure of an approaching inquiry.
Narrative Significance
The Mastaba Club’s repetition creates an ironic counterpoint to the uncertainty of the business conducted there. Members, waiters, routes, and soup appear unchanged, while the conversations concern disturbances and investigations that may alter the fortunes of people and companies beyond the dining room. The venue’s ritual therefore offers no proof that the wider world is stable; instead, its sameness makes the contrast with external events more pronounced.
The club also brings social performance and consequential information into the same space. Its members’ dislike of reminders of death marks a boundary around acceptable conversation, yet Tony’s meetings there turn quickly to incidents and corporate scrutiny. The dining room is at once a place of repeated custom and a setting for disclosures that advance business decisions.


