“The economic imperative” and “the holiness of the heart’s affections”
Good Morning, Midnight (Reginald Hill Edition)The expression “The economic imperative” and “the holiness of the heart’s affections” names two forces that Mr Waverley regards as enduring beneath the apparent transformations of public life. In his account, economic calculation drives the takeover of Maciver’s, while personal attachment survives in relationships that may look aberrant from the outside. The contrast is not simply between money and love: both are underlying truths, and neither is erased when the visible story changes.
The Two Inerasable Truths
Mr Waverley presents the economic imperative and the holiness of the heart’s affections as apparently contradictory, yet equally persistent. His surrounding image is a palimpsest: attempts may be made to obliterate what came before and inscribe something new, but the earlier writing remains legible underneath. The expression therefore gives personal feeling and commercial necessity a shared structure. They are not passing surfaces but forces that continue to shape events even when their operation is obscured.
Affection and Apparent Aberration
Mr Waverley points to his own behaviour toward Lavinia Maciver as evidence of the heart’s affections, describing it as apparently aberrant. He places Andrew Dalziel’s conduct toward Kay Kafka alongside it. These examples make the expression personal as well as abstract: affection is visible through conduct that may seem irregular to an observer, rather than through a public explanation of what the relationship means. In Mr Waverley’s formulation, such attachments are not negated by their apparent strangeness; they reveal a truth that surface appearances do not readily disclose.
The Economic Imperative in the Takeover
By contrast, Mr Waverley says the economic imperative drove the takeover of Maciver’s at every level. What appeared to the public as another step in commercial globalization—or, from another political perspective, in the sell-off of British industry—was, in his account, a small movement within a changing global black economy. The distinction between appearance and underlying cause sharpens the expression’s central claim: visible political and commercial explanations can conceal a deeper continuity of economic power.
Mr Waverley extends that contrast by calling the takeover a kind of covert nationalization. Although the business was familiarly known as Ash-Mac’s, its activities and security had become, he says, the responsibility of people in Whitehall and Westminster, with others in Washington, DC, keeping watch. The takeover thus brings the two principles into unequal but revealing proximity: the economic imperative organizes the public and institutional reality, while the expression’s language of affection preserves a place for attachments that cannot be reduced to that logic.