“Its colour is red because it’s paid for in human lives”
Good Morning, Midnight (Reginald Hill Edition)“Its colour is red because it’s paid for in human lives” distills a warning about the violence hidden beneath the language of diplomacy and commerce. In a conversation about Ashur-Proffitt and the Iran-Contra affair, the speaker rejects the idea that such matters belong safely to the past: the visible rules may change, but illicit trade and its human consequences persist beneath them.
Meaning and Wording
The image makes human lives the price that gives the trade its colour. Red suggests bloodshed without treating it as a distant abstraction: the phrase insists that the apparent business of sanctions, arms deals, and dumping outdated drugs is paid for in people. Its force comes from compressing a sprawling system into a stark contrast between profit and human cost.
Conversational Context
The remark follows Andrew Dalziel’s dismissal of the Iran-Contra affair as old history. The speaker argues that new treaties and shifting alliances do not erase the underlying practices, naming sanction breaking, illegal arms deals, and the dumping of outdated drugs. The comparison with a domestic black economy makes the argument concrete, while the scale and covert official approval distinguish the international trade from ordinary tax evasion. The speaker then halts, surprised by the passion of the argument; Andrew Dalziel answers by teasing that the speaker has been reading Ellie Pascoe’s e-mails again.
Narrative Significance
The expression turns political explanation into an ethical judgment. By setting profit and avoiding detection against lives lost, it refuses the comforting separation between respectable public policy and clandestine commerce. The line also makes the speaker’s intensity visible: an account of systems and transactions suddenly becomes personal in its moral emphasis, even as the conversation’s teasing reply deflects that seriousness.
