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Creation and Its Consequences

Harold and the Purple Crayon

Harold's drawings create both helpful settings and unanticipated hazards, making the story's imaginative freedom inseparable from consequences.

increasingupBearing stren­gth in each eventdowndecreasing
A Managed ForestA Managed Forest from "Harold and the Purple Crayon". Containing the Wild A forest made small Harold does not want to get lost in the woods, so he draws a forest with just one tree.
Containing the Wild A forest made small Harold does not want to get lost in the woods, so he draws a forest with just one tree. The choice lets him bring the idea of wilderness into the story while limiting its scale. The scene gains a future The tree is an apple tree, and Harold imagines the apples turning red. What begins as controlled scenery immediately develops into an expectation that calls for protection.
A Guardian with a CostA Guardian with a Cost from "Harold and the Purple Crayon". Protection Becomes Threat An invented safeguard Harold puts a frightening Dragon under the tree to guard the apples.
Protection Becomes Threat An invented safeguard Harold puts a frightening Dragon under the tree to guard the apples. The creature reflects his effort to manage the future by preventing the fruit from being disturbed. The safeguard unsettles its maker The Dragon frightens Harold himself. The consequence of his design is not the simple security he intended, but a fear that makes his hand shake.
The Cost of a Shaking HandThe Cost of a Shaking Hand from "Harold and the Purple Crayon". Unplanned Consequences A changed setting Harold's frightened reaction precedes his sudden realization that he is over his head in an ocean.
Unplanned Consequences A changed setting Harold's frightened reaction precedes his sudden realization that he is over his head in an ocean. The scene has moved far beyond the apple tree and its intended protection. Responsibility without blame The episode does not make creation useless; Harold still uses the crayon to escape by boat. It instead shows that an invented world can exceed its maker's immediate intentions and demand fresh judgment.
Early in the walk, when Harold expects woods
At the apple tree, before Harold backs away
Immediately after the Dragon frightens Harold