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Zehava

Here There Is No Why

Zehava is the novel’s most consequential figure of divided authority: a celebrated Israeli political leader whose public campaign for peace depends on concealing the violent history of her marriage. To Judah Loeb, she once represented the heroic rebirth of the Jewish people through the Zionist project, while Chaim Lerner embodied the Holocaust and Yoav Lerner the burden inherited by the next generation. Yet the investigation into Chaim’s death reveals that Zehava’s political stature rests beside, and partly upon, an intimate history of abuse, concealment, and moral compromise.

Public Authority and Political Ambition

Zehava’s rise is linked to her eloquence and activism during the Second Intifada, which carried her into the elite of Israeli politics. Respectable commentators predicted that she might become the country’s next prime minister, the first woman to hold that office since Golda Meir. Her authority is not merely symbolic: she is presented as a formidable speaker whose public reputation can shape how institutions, journalists, and the public interpret private wrongdoing.

By the time Judah returns to investigate Chaim Lerner’s death, Zehava has entered the political opposition’s leading ranks and is on the verge of joining the government. She tells Judah that she is negotiating with senior representatives of the Palestinian Authority and that a genuine coalition for a permanent settlement may be forming. In her account, even a twenty-two-year-old scandal must be measured against the possible consequences for peace. Religious right-wing opponents could use any doubt about her character to remove her from government, and she claims that she is one of the few figures trusted, at least to some degree, by both Israelis and Palestinians.

Her political language converts personal disclosure into a matter of historical responsibility. She insists that publishing the truth about Chaim at that moment could damage the negotiations and cause peace to die. The appeal is powerful because it is not wholly fraudulent: the secret London meetings later occur, with maps exchanged and substantial territorial overlap initially visible. But the talks collapse over Jerusalem, Palestinian refugees’ right of return, recognition of Israel as a Jewish state, the connection between Gaza and the West Bank, and the role of Hamas. Zehava never achieves the peace she invokes, leaving her argument suspended between genuine public stakes and self-protective manipulation.

Marriage to Chaim Lerner

Zehava’s marriage to Chaim is radically different from the relationship Judah remembers. Chaim was kind, generous, witty, and wise with his young male student, but at home his Holocaust trauma emerged as recurring nightmares and uncontrolled violence. Beginning roughly ten years into the marriage, he spent almost three years kicking, groaning, and cursing in Polish between one and three in the morning. His dreams repeatedly placed him among different childhood friends wearing SS uniforms, pursuing and shooting him. When Yoav began having the same dreams, Zehava compelled Chaim to consult a psychiatrist who was also a survivor.

The medication prescribed to suppress the nightmares left Chaim perpetually groggy and irritable. Minor disturbances—a noisy cereal bowl, spilled coffee, an open or closed window, or a grammatical mistake by Yoav—could provoke a tantrum, often in Polish. The anger escalated into physical abuse. His slaps began as stings and reddened skin, then became harder blows that caused real pain. Yoav refused to come down for breakfast, while Zehava sought help from her psychiatrist friend and considered leaving the marriage.

Chaim’s public politics also intensified the contradiction within their household. He spoke against Israel’s invasion of Lebanon and criticized Ashkenazi dominance, but Zehava could tolerate political radicalism within a boisterous democracy. What she could not accept was his violence toward her and Yoav. His status as a survivor and public moral authority gave him a protective aura, yet the domestic Chaim was a frightened, traumatized, abusive man whose reputation did not disclose the people closest to him.

His infidelity added another form of humiliation. Chaim began affairs with attractive graduate students at an extraordinary rate, sometimes approximately one student each month. He did not even conceal the relationships from Zehava; he bragged about them and showed her Polaroids, including explicit photographs. His public identity as the righteous survivor and moral hero made the spectacle more degrading, because his authority appeared to license conduct that would have destroyed the reputation of a less revered man.

After a year of this pattern, Zehava gave him an ultimatum: one more affair and she would leave him and expose him publicly. Chaim promised to stop, and doctors adjusted his medication, attributing his heightened libido to its effects. He abandoned most of his young lovers but secretly retained one, whom Zehava describes as the most inappropriate and shocking of all. When she discovered the affair, she confronted him on the balcony, the place where he forbade smoking because it reminded him of the crematoria. The balcony thus became both a site of trauma and the enclosed domestic space in which his violence finally met resistance.

The Death on the Balcony

The accepted story of Chaim’s death is first treated as suicide, but the novel gradually relocates the decisive event from public mystery to private testimony. When Hannah, Michal, and Judah visit the Lerner house, Hannah studies the dark metal railing and concludes that Chaim could not have climbed over it with his injured knee. The physical structure of the balcony becomes evidence: the railing is not a neutral backdrop but the boundary between the apartment and the fall, between the official version and the concealed event.

Zehava eventually tells Judah what happened. During the confrontation, she called Chaim a lying bastard, and he agreed. She then said that the ashes in Auschwitz were ashamed of him and that he had disgraced his family’s dust. Chaim reacted as though the image had struck at the center of his self-conception. He raised his hand to slap her, and Zehava, anticipating the blow, caught his hand and twisted it. She pushed him away toward the railing. Because of his bad knee and hip, he lost his footing, struck the top bar with his shoulder, and briefly appeared capable of recovering his balance before rolling over the edge and falling onto his head.

Zehava’s account makes the death neither a planned execution nor the suicide preserved by the public record. It is an accidental killing during an act of self-defense, but the consequences are still absolute: Chaim is dead, and Zehava has physically caused his fall. She does not present herself as innocent in an uncomplicated sense. Instead, she explains that she expected the police would distrust her because Chaim was infirm and she was stronger, and that even an acquittal would leave her publicly branded as the woman who killed Saint of Auschwitz.

Concealment and Political Calculation

Zehava’s concealment is sustained by a network of silence. She tells Judah that he may create suspicion but cannot easily overcome the respect she has cultivated throughout Israel. She also warns that Michal, the shopkeeper, his wife, and Charlie will not support his account. Her confidence rests on the unequal credibility assigned to a foreign journalist and a nationally revered Israeli leader: she expects the public to believe her over him.

Charlie confirms the central facts. Zehava lied to Judah from the beginning, and she wrestled Chaim from the balcony, killing him. Charlie nevertheless accepts her claim of self-defense and decides that prosecution would serve no useful purpose. He also treats Zehava’s political importance as decisive. Damaging her reputation, in his view, could destroy the peace dream associated with two thousand years of Jewish history and Israel’s hoped-for reconciliation with its neighbors.

The cover-up therefore becomes more than a family secret. It is converted into a political bargain in which truth, criminal accountability, and peace are placed on the same scale. Charlie feeds Judah false theories involving Chaim’s theology, politics, the Lebanon War, blackmail, and radical opponents, not because those theories are true but because they can prevent pressure to investigate Zehava. Judah later accepts a deal that allows him to write about Chaim while preserving the mystery of his death. Zehava’s secret survives not through one person’s deception alone but through coordinated institutional and journalistic incentives.

Relations, Contradictions, and Narrative Role

Zehava’s relation with Michal is shaped by the contrast between absent or inattentive biological motherhood and chosen maternal intimacy. Zehava teaches Michal to bake, dress, apply makeup, and style her hair, and tells her that she is the daughter she never had. During Michal’s army service, their closeness becomes almost as intimate as Michal’s bond with Yoav. That affection later complicates the concealment of Chaim’s behavior and death: Zehava is both protector and participant in a household structured by silence.

Chaim’s predation toward Michal exposes the gendered foundation of the family’s public mythology. He first approaches her when she is fifteen, drawing her into philosophical discussions about the Holocaust, God, and human cruelty before touching her ankle. Over the next two years, he repeatedly arranges private encounters and maneuvers his body to touch her neck, shoulder, rib, knee, and breast. Michal slaps his hand away, but the surrounding adults and witnesses do not intervene. Years later, when she is twenty-one, Chaim resumes his advances, kisses her, gropes her, steals her bicycle to force another encounter, and grabs her clothing as she leaves class. The story emphasizes that this occurs before the #MeToo era, when people could see such conduct and still look away.

Zehava’s later account of Chaim’s death must be read alongside this history. Chaim’s violence toward her is not an isolated eruption but the culmination of a pattern involving sexual entitlement, marital abuse, public impunity, and the use of trauma as a shield. At the same time, Zehava’s decision to hide the truth denies other victims a public reckoning and preserves the image that helped make Chaim and herself politically useful. Her moral position therefore remains deliberately divided: she is a survivor of domestic violence, a defender of Michal’s wider family, a political operator, and the person who helps maintain the false story of Chaim’s suicide.

Zehava’s significance lies in this unresolved collision between private truth and public consequence. She is not simply the corrupt politician who sacrifices justice for ambition, nor simply the battered wife who acts in a moment of terror. Her story shows how a woman’s credibility, political labor, and survival can depend on controlling the narrative around male violence, while also showing how that control can reproduce silence. The balcony, the cigarette smoke drifting toward Jerusalem’s surrounding neighborhoods, and the carefully managed account of the fall all make her a figure who lives at the threshold between exposure and concealment. Her authority is real, her peace project is consequential even though it fails, and her secret remains inseparable from the political future she asks Judah to protect.