Murder of the Queen and the Royal Heir
His Property (A Dark Vampire High School Bully Romance) (Vampire Boy Swords): Prince of Londinium (Dead Sun: Prince of Londinium (A Dark High School Bully Romance) (Vampire Boy Swords) Book 1)The murder of the Empress and her royal heirs is the decisive hidden crime behind the succession crisis in Londinium. According to Prince Octavius’s account, the Emperor arranged the deaths of the Empress, her child, and the Five Princes, then suppressed the political and hereditary order that had protected the Taleian people. The crime is therefore both a killing and an act of historical erasure: it removes a ruling family, conceals the rightful heir, and helps explain why Clara Driscoll was hidden in 1987 before Londinium existed.
Political Order Before the Murders
Prince Octavius places the crime within the ancient Taleian system. In ancient Briton, the Taleians were one of two races alongside the Druids, and their society was divided into clans under a Queen from the first royal clan, Morrigan. Her consort was a Knight of Swords from the Breannin Clan, whose members also supplied her knights. The Queen’s authority was therefore joined to military protection and clan-based succession rather than resting on the Emperor’s later regime.
The Book of Talus reinforced this order by assigning each Taleian a fated mate from birth. A child’s name appeared in the magical book beside the name of the designated mate, making lineage, intimacy, and political continuity part of one system. The Five Princes served as mates and advisors to the Empress, guarding her immense power and keeping her loved and safe. Their presence made the royal household a network of hereditary and ritual authority, not merely a court of personal attendants.
The Crime and Its Concealment
Octavius states that the Emperor rejected every reminder of the Empress’s rule. He regarded the order that had governed the Taleians after the hybrids helped them survive their evolution as something to be suppressed, including the Empress, the Book of Talus, and the royal succession associated with them. In Octavius’s explanation, the Emperor found a way to murder the Empress, her child, and the Princes. The account presents the killings as deliberate political elimination rather than an isolated act of violence.
The consequences reach across centuries. Clara Driscoll learns at the ball that she may be the lost Empress’s child and that she was somehow stolen and hidden in 1987, centuries before Londinium existed. The discovery destroys the identity she had taken for granted: the people she believed were her parents had not told her the truth, and her memories now appear false or incomplete. Her bodily reaction is immediate and destabilizing as she struggles not to cry before the assembled guests while Lord Phraeon continues to hold her on the dance floor.
Historical Violence Behind the Succession Crisis
The royal murders occur within a longer history of attacks on Taleian survival. The Druids, jealous of the Taleians’ lands and their Queen, devised a curse that transformed the Taleians into Vampires and drove them into blood lust. Hunted by the Druids and other humans, the clans scattered across the world. Octavius says that the Queen and the Knight of Swords were murdered by the Druids while trying to help their people with the aid of the Magician, the Queen’s powerful advisor.
That earlier destruction left the Taleians unable to reproduce among themselves. Women were hunted by Taleian slavers and sold to humans for various purposes, including the taking of their flesh as a cure for terminal illness. Taleian men consequently formed relationships with human women and produced Taleian-human hybrids. These children did not assume their true Taleian vampire form immediately; they underwent a small death before awakening, and their bodies would never appear older than twenty-five. The later royal murders thus threaten not only a dynasty but the fragile biological and political continuity that had allowed the people to survive.
Clara as the Hidden Heir
Clara’s possible identity transforms the murder from remote history into a present danger. Prince Octavius senses that she possesses the psychic gifts of a Taleian hybrid but has not completed the change into a vampire. Her lineage links a hidden child from the murdered royal family to the altered, hybrid population that followed the ancient catastrophe. The revelation explains why her life was concealed and why competing members of the court treat her as someone who must be protected, claimed, or contested.
The succession crime also gives meaning to the conflict over Clara’s body and future. Octavius says that a psychic bond must precede the union between fated mates, after which the male bites the female. Darius later insists that the ritual’s challenges must be fought before the winner can claim Clara with his bite and brand. What appears as courtship is therefore entangled with succession, ritual legitimacy, and the possibility that Clara is the surviving bearer of an extinguished royal line.
Aftermath and Narrative Significance
The murders leave no settled political closure. Octavius condemns his father as cruel and jealous, yet he also accepts the old system’s coercive language, telling Clara that there is no choice in the matter and that she now belongs to him. He presents protection as duty and claims that he is a skilled swordsman who must defend her from challengers. Darius’s intervention confirms that the men around Clara understand her fate through rules of ritual combat, biting, branding, and possession.
Clara’s resistance exposes the moral cost of this inherited order. She argues that women seem to have no say in the ritual and that such a system is unfair. Octavius answers that the old ways persist despite his father’s attempts to stamp them out, revealing a conflict between imperial suppression and traditional authority without offering Clara genuine control. The murder of the Empress and her heirs therefore continues to govern the present: it produces a hidden heir, a disputed history, rival claims, and a political world in which recovering the truth may restore an old order while also reproducing its constraints.


