The attack on Susie Quinn
How to Flirt with A Naked WerewolfThe attack on Susie Quinn is a violent assault in a private driveway that exposes Grundy’s vulnerability to an unidentified wolf and makes Mo fear that the injured animal she once helped may be responsible. Susie survives but is left in intensive care; for the town, the attack turns scattered reports of wolves into an immediate public danger, while for Mo it transforms a private secret into a question of whom she can trust.
Discovery and Immediate Stakes
Gertie (postmaster) finds Susie Q in her driveway in the morning and reaches her before the attack can prove fatal. At the Blue Glacier Saloon, Gertie is in tears, with Nate (town resident) holding her as the community tries to absorb what has happened. Buzz explains that Susie’s throat is nearly torn out and that she is in critical condition. An ambulance has taken her to the hospital in Dearly, where she is in intensive care. The news arrives not as a distant report but among people who know the victim and are watching one another’s reactions.
Mo asks whether Susie was beaten by a person. Buzz says the evidence points instead to an animal: tracks and fur have been found, and the attack appears to have been carried out by a wolf. That distinction changes the threat without making it less frightening. A human attacker might be identified and pursued as an individual; a wolf could still be somewhere in the surrounding country, with no clear indication of where it will strike next.
Mo’s Suspicion and the Unresolved Attacker
The timing makes the attack intensely personal for Mo. It happened the morning after Cooper (werewolf lover) went on what he called a wolf run. Mo has already encountered Cooper in wolf form after he was injured in a trap, and her experience of him then complicates the evidence: he was gentle with her and had no blood on him except his own. Those observations do not settle the matter. She wonders whether he might have attacked Susie while weak, or whether being treated by Mo had taught him not to bite the person who bandaged him. The possibility that she rescued the attacker gives the report a second, private terror beneath the public alarm.
The narrative does not establish that Cooper (werewolf lover) attacked Susie. The tracks and fur support the conclusion that an animal was involved, but they do not identify a particular wolf. Mo’s suspicion arises from sequence and proximity, not proof: the wolf run came immediately before the discovery, and she knows that the wolf she rescued is more than an ordinary animal. Her uncertainty preserves the distinction between what the town can infer and what Mo fears she knows.
The Town’s Response
As customers eat burgers and fries, people trade stories of seeing wolves or chasing them off their property. The attack therefore travels through Grundy as both a specific injury and a growing collection of warnings. Walt Gunther blames programs that protect wolves and fears that predators will overrun the area. Alan Dahling counters with the other side of the local history: government bounty programs have paid hunters for wolf carcasses, and authorities have allowed wolves to be shot from aircraft as predator control. Another diner proposes that Grundy start its own bounty. The discussion moves quickly from concern for Susie to arguments about wildlife policy, safety, and who should bear responsibility for the animals’ presence.
Mo finds the conversation so distressing that she reaches for antacids and longs for a distraction. The debate offers no resolution to the immediate danger; instead, it shows how fast fear becomes a contest over causes and remedies. The same animal can be discussed as protected wildlife, a threat to residents, and the subject of lethal control. Susie’s injury gives those positions urgency, but the diners’ competing explanations cannot tell them which wolf attacked her.
Aftermath and Continuing Uncertainty
When Gertie says someone must care for Susie’s dog, Mo volunteers to go during her lunch break. She knows Oscar from visits to Susie at the post office and is troubled by the thought of him alone in the house. At Susie’s neat A-frame, two miles outside town, Oscar scratches frantically at the door. Mo uses Gertie’s key to let him out, passing over the bloody patch of grass by the driveway. The small practical act of looking after the dog brings her directly to the visible trace of the attack and to the ordinary life interrupted by it.
Later, when Abner is found mauled in the woods, the wolf threat returns in a more deadly form. Cooper (werewolf lover) cannot remember the night of Abner’s attack and fears he may have changed without waking Mo; Abner had seemed terrified of him, as if he recognized the creature that hurt him. That later uncertainty does not prove who attacked Susie, but it extends the question raised by her mauling: the danger is not merely that a wolf may be loose, but that Mo and the town may not be able to distinguish the responsible animal from someone they know. The attack’s lasting force lies in that unresolved boundary between neighbor, loved one, and predator.


