Dominick Birdsey and Angela Birdsey
I Know This Much Is TrueDominick Birdsey and Angela Birdsey are father and daughter, but their relationship is cut short before it can become an ordinary shared life. Angela died at three weeks and three days old, in May 1983. Dominick found her, and the brief interval between her birth and death became the point around which his imagined future as a father, his grief, and his memories of her continued to gather.
A Fatherhood Interrupted
Dominick’s account makes the loss inseparable from the life he expected to begin. He had planned to spend more time with Angela once the school year ended, imagining that July and August would give him time with his wife and baby. At the time, he was correcting students’ papers, coaching track, serving on a union negotiating committee, and visiting Thomas every Sunday at a minimum. He expected to slow down when those obligations eased. The ordinary future he pictured—getting to know his daughter and spending time with his new family—never arrived.
On the morning Angela died, Dominick was about to leave when he decided to go back and kiss her. Dessa had been awake with the baby during the night and was sleeping in. Dominick later recalled being grateful that he, rather than Dessa, had found Angela. That gratitude did not lessen the loss; it marked one small, painful distinction within it. His account of that morning holds together his intention to return to his daughter and the knowledge that the chance to know her had already ended.
Angela’s death also left her outside the relationship she might have had with Thomas. After her birth, Dominick went to tell his brother that he was an uncle and gave him a cigar. Thomas smiled at the news, but never met Angela. The family had not yet made the planned drive to introduce them; they expected to go that weekend. Dominick later described Thomas’s illness as separating the twins, a separation he had struggled with throughout his life. Angela’s brief life thus belongs to a family history already shaped by the distance between the brothers, while her death added a relationship Thomas would never have the chance to form.
Grief in the Family
In the aftermath, Dominick and Dessa grieved differently, but both were overwhelmed. Dessa was devastated. Dominick took charge of practical matters, dealing with the coroner and police and with the meals brought to the house. When the food went uneaten, he eventually cleared it out, washed the dishes, and returned them. This work gave him tasks to perform amid a loss for which neither he nor Dessa could find a remedy.
The limits of his ability to help Dessa became another part of the grief. At night, he heard her in Angela’s room, sometimes speaking to the baby, and knew he ought to go to her. He could not make himself get out of bed. His memory presents the failure without excusing it: he recognized what comfort required, yet could not offer it. The loss therefore altered not only his bond with Angela but also his capacity to meet his wife’s pain, intensifying the isolation between the parents at a moment when both were mourning their daughter.
Anger and the Unlived Future
Dominick’s grief sometimes took the form of physical restlessness. He banged and slammed things in the garage, then drove at high speed in the family’s 1977 Celica. At times he went toward the river, driving near Three Rivers State Hospital and the Indian cemetery. He also climbed the ledge at The Falls, a place associated with his childhood. He hoped that seeing things from above might help him understand death in terms of God’s will or mercy, but the perspective did not make sense of the loss. His return to a childhood setting registers a search for meaning, not a resolution.
Years later, Dominick still imagined Angela’s life continuing. At a dance studio, he saw a child about the age Angela would have been and made that stranger’s child into his daughter in a private fantasy. In the imagined version of events, Dominick and Dessa were still together; Angela’s drawings and school papers were at home, and her dance recital was approaching. The fantasy’s everyday details matter: it gives Angela not an extraordinary destiny, but the ordinary childhood and family life that her death foreclosed.
Memory and Continuing Bond
Dominick’s memories return most intensely on Angela’s birthday, the anniversary of her death, and sometimes around the holidays. He recalls the aftermath at home and at the hospital, as well as Dessa’s anguish. These recollections show that the relationship does not disappear with Angela’s short life; it continues through recurring memory, regret, and imagined scenes. The imagined daughter is not a substitute for the child Dominick knew, but a way of confronting the years she did not live.
When Dominick speaks with Dr. Patel about his brother, he acknowledges how Thomas’s illness has separated them and admits that he has sometimes needed his brother back. That conversation places his memories of Angela within a wider pattern of attachment and absence: Thomas never knew his niece, and Dominick’s relationship with his daughter remains inseparable from the life the family could not share. Angela’s significance lies both in her brief place within the family and in the lasting presence of the future her father continues to picture.