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“Work, and you will achieve fame”

In Search of Lost Time

Morel’s maxim, “Work, and you will achieve fame,” briefly leads the narrator to think that the accomplished performer is also broadly cultivated. Its promise of a direct passage from labor to recognition instead becomes a measure of Morel’s narrow, contradictory learning: he repeats the saying every evening, as though a single borrowed aphorism could stand for literary knowledge.

The maxim and its attribution

When the narrator speaks of wanting to begin work, Morel encourages him with the maxim and attributes it to Fontanes, speaking to Chateaubriand. Morel also knows certain love letters of Napoleon, details that initially reinforce the narrator’s impression that he is well-read. The exchange thus gives the saying a specific literary pedigree, while presenting Morel as someone able to produce an apt quotation in conversation.

Repetition and limited learning

That favorable impression does not last. The narrator concludes that the saying is evidently the only remark Morel knows from ancient or modern literature: Morel repeats it every evening. The repetition turns a potentially encouraging piece of advice into a small performance of borrowed culture. The maxim’s authority rests less on a demonstrated range of reading than on its persistent use, and the narrator’s first assessment of Morel is revised accordingly.

Morel’s contradictory character

The episode belongs to the narrator’s broader account of Morel as a composite and inconsistent person. Elsewhere in the same portrait, Morel’s willingness to put money before kindness and ordinary human feeling is set against the importance he gives to his Conservatoire first-prize diploma and to avoiding discredit in flute or counterpoint. His maxims, including “Beware of the wary,” reveal how he converts fragments of received language into personal rules. “Work, and you will achieve fame” therefore carries a double significance: it voices the aspiration to artistic achievement, but its rote repetition also exposes the thinness of the cultural authority the narrator had briefly granted Morel.