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The Théâtre des Vampires

Interview with the Vampire

This flow traces Louis’s discovery of the Paris coven and his growing attraction to Armand’s older, more disciplined vision.

increasingupBearing stren­gth in each eventdowndecreasing
The Mirrored StrangerThe Mirrored Stranger from "Interview with the Vampire". The Mirrored Stranger Pursuit A tall Vampire imitates Louis’s every gesture in the Latin Quarter.
The Mirrored Stranger Pursuit A tall Vampire imitates Louis’s every gesture in the Latin Quarter. Challenge The encounter tests Louis’s confidence in his speed and perception. Invitation Armand intervenes and directs Louis to the Théâtre des Vampires.
The Stage of DeathThe Stage of Death from "Interview with the Vampire". The Stage of Death Spectacle Vampires perform a theatrical murder before a human audience.
The Stage of Death Spectacle Vampires perform a theatrical murder before a human audience. Seduction The performance transforms real predation into stylized entertainment. Disgust Louis recognizes a culture that has turned death into fashionable amusement.
Armand’s CellArmand’s Cell from "Interview with the Vampire". Armand’s Cell Sanctuary Armand leads Louis and Claudia beneath the theater to his austere room.
Armand’s Cell Sanctuary Armand leads Louis and Claudia beneath the theater to his austere room. Contrast Books, fire, and silence replace the coven’s grotesque pageantry. Attraction Louis sees in Armand the teacher and companion he has always wanted.
The Coven’s SuspicionThe Coven’s Suspicion from "Interview with the Vampire". The Coven’s Suspicion Accusation Santiago and the others suspect Louis and Claudia of violating Vampire law.
The Coven’s Suspicion Accusation Santiago and the others suspect Louis and Claudia of violating Vampire law. Evidence Their secrecy, unusual bond, and child form make them appear dangerous. Isolation Armand warns Louis that politeness and concealment are their only defenses.
The Forbidden CrimeThe Forbidden Crime from "Interview with the Vampire". The Forbidden Crime Law Santiago declares that killing one’s own kind is the supreme Vampire crime.
The Forbidden Crime Law Santiago declares that killing one’s own kind is the supreme Vampire crime. Irony The coven’s law condemns the violence that sustains its own theatrical community. Threat Louis realizes that Claudia’s attack on Lestat could destroy them all.
early in the Paris period
Louis’s first night at the theater
later that same night
the following nights
during the coven’s interrogation