Ellora's Cave Publishing, Inc.

Ellora's Cave Publishing, Inc. is presented in Just One Night as both a conventional publishing company and an advocate for electronic reading. Its decisive significance lies in the way the book joins erotic romance to a specific publishing infrastructure: the company frames mature sexual fiction as a clearly marketed product, while its end matter explains how digital formats make that product cheaper, more portable, and available on demand.

Corporate Identity and Publication Context

Ellora's Cave Publishing, Inc. is identified as the publisher of Just One Night, a 2003 work written by Tielle St. Clare. The publication record gives the company a Hudson, Ohio, mailing address at P.O. Box 787, Hudson, OH 44236-0787, and identifies Martha Punches as editor and Scott Carpenter as the cover artist. The book carries an MS Reader ISBN, 1-84360-623-2, while Adobe PDF, Rocketbook, Mobipocket, and HTML versions are listed as available formats without assigned ISBNs.

The company establishes its commercial identity through direct reader solicitation. It points readers toward ellorascave.com and describes its books as an experience intended to leave them breathless, presenting the publisher not merely as a distributor but as a recognizable brand with its own web presence and catalog. The copyright and reproduction notice also makes the legal framework explicit: Just One Night is protected material and may not be reproduced in whole or in part without permission from the author and publisher.

Adult-Erotic Publishing Model

Ellora's Cave Publishing, Inc. places Just One Night within an explicitly adult market. A warning states that the material contains strong sexual content meant for mature readers and that the title received an NC17 erotic rating from at least three independent reviewers. The warning recommends keeping the book where young readers are unlikely to encounter it, turning age restriction into part of the publication's reader contract rather than leaving the book's intended audience implicit.

That framing corresponds to the book's sexual-romance structure. The story moves from an encounter initially defined as only one night toward a relationship that culminates in Bradford Taylor's desire for marriage to Geneva Bryce. The publishing label therefore supports a genre promise in which erotic scenes are central to the narrative rather than incidental. The explicit warning prepares readers for that emphasis, while the title and promotional language make the work's erotic identity visible before the plot begins.

Digital Formats and Consumer Value

The book's closing material argues that electronic novels are increasingly displacing paperbacks for several practical reasons. Ellora's Cave Publishing, Inc. emphasizes price first: an electronic title costs between 40 and 75 percent less than the same title in paperback because producing an e-book is less expensive. The company presents this reduction as a direct saving passed to consumers, translating its digital production model into a straightforward economic appeal.

The publisher also stresses space. A handheld computer designed for electronic reading can store hundreds of titles on a single microchip, eliminating the physical room required for a paperback collection. The argument treats the e-reader as a compact personal library and notes that many devices provide more screen space than an average handheld computer, while directing readers to the company's website for customer recommendations rather than endorsing a particular brand.

Mobility supplies a second material advantage. Because the library is stored on a microchip, readers can carry an entire collection wherever they go. The book thus presents electronic reading as a change in the physical relationship between reader and text: books become a portable cache rather than objects that require shelf space or separate transport.

Immediate Delivery and Future Development

Ellora's Cave Publishing, Inc. also advertises instant access. Readers can purchase downloads twenty-four hours a day, seven days a week, throughout the year, without waiting for bookstores or online retailers to ship a title. The delivery system is described as fully automated, with orders filled as soon as payment is made. Availability is therefore converted into a continuous service, collapsing the interval between desire, purchase, and reading.

The company presents this digital model as more than a cheaper version of print. It announces a forthcoming line of interactive titles available only in e-book format, suggesting that electronic publication can support forms of literary engagement unavailable in a paperback. The publisher's account consequently links format to innovation: the medium changes not only how readers obtain a book but also what kinds of titles can be produced.

Reader Relationship and Cultural Significance

The publisher's relationship with its audience is deliberately direct. Ellora's Cave Publishing, Inc. invites questions and comments by email at service@ellorascave.com or by mail at its Hudson, Ohio, address, and Tielle St. Clare is likewise described as welcoming reader correspondence through the publisher. This arrangement places the company between author and audience while preserving a sense of accessible, specialized community.

Within Just One Night, Ellora's Cave Publishing, Inc. therefore represents a convergence of genre marketing and media change. Its warning identifies the boundaries of the erotic readership; its website and promotional language cultivate demand; its pricing, storage, mobility, and automated delivery claims explain the practical advantages of e-books; and its promise of interactive titles points toward digital experimentation. The result is a publication model in which erotic romance is sold not only as a story but also as an immediately obtainable, private, and technologically flexible reading experience.