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Horse

Killers of the Flower Moon

Horse is a recurring presence in the book’s history of the Osage: a partner in the buffalo hunt, a means of carrying families and possessions across the prairie, and a working animal in the oil country and the pursuit of criminals. Across these settings, horses mark how people move through the land—and how the uses and meanings of that land change around them.

Hunting and communal life

Twice a year, when Ne-kah-e-se-y and Lizzie were young, Osage families packed clothing, bedding, utensils, dried meat, and weapons onto horses for a sacred, two-month buffalo hunt. The horses carried not only possessions but the means to take part in a collective cycle of travel and subsistence. When scouts found a herd, Ne-kah-e-se-y and the other hunters raced across the plains on horseback, their mounts’ pounding hooves driving the pursuit. The hunt depended on coordination between riders and animals: the hunters had to close the distance to the American bison before it doubled away or turned to face them.

Once a bison fell, the hunt’s products were used throughout Osage life. Meat was dried, the heart smoked, and the intestines made into sausages; the hide became leather for robes and lodge coverings, while sinew, horns, and tallow were put to other uses. The horse belongs to this account not as a decorative sign of the frontier but as part of a practical relationship with animals and the land. It enabled the hunt, while the community’s use of the bison extended well beyond the moment of the chase.

Migration and changing landscapes

In the early 1870s, after purchasing territory from the Cherokee, the Osage began a difficult migration from Kansas. Families lashed their possessions to horses for the journey to the new reservation. The move carried people away from graves and a familiar homeland; at its destination, they established camps including Gray Horse settlement, where Lizzie and Ne-kah-e-se-y settled after marrying in 1874. In this account, horses make the passage physically possible, but they also bear the material weight of displacement: bedding and household necessities travel with the people who must leave their home.

Horses remained part of the changing reservation landscape as allotment and oil development altered the uses of the land. When Oklahoma entered the Union, the Osage could sell surface land while keeping mineral rights under tribal control. Prospectors and workers then arrived to drill. The book describes the labor of the oil fields and the wooden structures rising above them; a later recollection by Jean Paul Getty places the early oil enterprise in an older mode of travel, with a horse-drawn wagon journey to Lot 50 and a river crossing along the way. The wagon connects the oil boom to the transportation that preceded motorcars, while the drilling beneath the ground signals how rapidly the landscape’s economic purpose was changing.

Horses in frontier violence and law enforcement

The horse also appears amid the violence of the 1893 Cherokee Outlet land run. At the starting gun, people rushed to claim parcels, and the prairie became a scene of falls, fights, and claims contested at gunpoint. A contemporary account described men, women, and horses lying across the land. Here, the animal is caught in a human competition for property: its presence belongs to the physical rush across the prairie, not to the older pattern of travel and subsistence.

For T. B. White and his family, horses were central to law enforcement. As a boy, T. B. White watched his father respond to crimes by gathering witness accounts and riding after suspects, sometimes using bloodhounds to follow a trail. In one pursuit, the hounds tracked a killer back to the dead man’s house. Years later, T. B. White joined the Texas Rangers, where learning to read a horse’s tracks was part of becoming an officer. A trick used by horse thieves—turning horseshoes backward—could mislead a tracker, so observation mattered as much as speed.

Ranger work also required practical habits shaped by travel and danger. Officers groomed their horses at camp, and T. B. White learned to think about how a rider and mount might be seen by a gunman at night. On an early mission pursuing cattle rustlers in Kent County, a sergeant rebuked him for leaving his Winchester on his horse while going into a store. The incident shows the horse as both transport and a place where essential equipment might be left dangerously out of reach. Mounted mobility could help a lawman pursue someone, but it did not remove the need for constant attention to the risks of the trail.

Memory and disappearance

The horse’s roles persist in later recollections, but the animal’s presence is not presented as permanent. In a letter to J. Edgar Hoover before his death in 1939, John Wren mourned changes to the hills and named wild horses among the animals that no longer lived there. That loss places the horse within a wider account of a changing environment, alongside the disappearance of wild turkey, deer, and wild cattle. The book thus sets the horse of the hunt and the working horse of migration and law enforcement against a landscape from which wild animals were vanishing.

The contrast gives the recurring animal historical weight without making every appearance mean the same thing. Horses carry the possessions of families forced to move, bear hunters into a communal pursuit, and serve lawmen trying to follow evidence. In the land run they are caught in the scramble for claims; in the oil-era recollection they belong to a mode of travel already giving way to newer technologies. Their varied appearances trace an Osage history in which land, work, mobility, and loss continually change together.