Malphas Defects and Helps Repel the Demon Army
Last ChristmasMalphas Defects and Helps Repel the Demon Army is the battle in which Malphas publicly chooses the human defenders over the demon forces attacking their village. A rider’s urgent warning interrupts an ordinary day beside Lilliana; soon Malphas is facing his brother Itzal, refusing an order to stand aside, and fighting alongside people who initially mistake him for an enemy. The demons are routed, but the victory leaves human dead and makes Malphas’s changed allegiance impossible to undo.
Causes and Background
The attack breaks into a domestic pause. Malphas has been weeding the garden while Lilliana bakes in the cottage. He abandons the task because he wants to see his wife, then hears a rider approaching at speed. Since visitors are rare and unexpected ones rarer still, he runs toward the door intending to place himself between the rider and Lilliana. The messenger, whom Malphas recognizes from the village, warns that they are under attack and calls for every man able to wield a sword or club before riding away again.
The warning gives the scene its immediate stakes: the villagers need defenders, and the threat is not abstract. When Malphas reaches the fighting, he sees that the humans are ill prepared for the demon horde. The attackers are targeting children as well as adults. Itzal explains that the children are favored by the demons’ enemies and that Azura wants them wiped from the planet. The order makes the violence against the young deliberate, sharpening the moral choice Malphas faces from a dispute between opposing forces into a question of whether he will permit the slaughter of people he knows.
The Break with Itzal
In the battle, Malphas recognizes Itzal’s voice and addresses him as his brother. Itzal is astonished to find him alive, saying that everyone had thought him dead. Malphas does not use the reunion to evade the conflict: he asks whether he can talk Itzal out of the attack, then grimaces at the carnage and challenges the assault on the children. His appeal is direct. He tells Itzal to pull his forces back, first asking and then insisting when Itzal demands an explanation.
Malphas makes the consequence explicit: if Itzal will not withdraw the forces, they will be enemies. The declaration turns a plea between brothers into an open break between their sides. Itzal laughs at first, but stops when he realizes Malphas is serious. Malphas unsheathes his sword and says that he does not want to hurt his brother. Itzal answers with a threat to kill him. Malphas accepts what that means—the two are now at war—and advances; Itzal flies away.
Itzal’s departure does not end the fighting or settle the danger. Malphas joins the fray, but the Sephirii attack him too. He will not harm them, so he takes their blows while trying to reach his demon kin. His choice is costly even in the moment: the people he has come to defend cannot yet distinguish his intervention from the threat they are fighting. The conflict changes only when Myone shouts that Malphas is fighting for them and orders the Sephirii not to harm him. Her intervention halts the surrounding combat long enough for his new allegiance to be recognized.
The Battle’s Outcome
Once the defenders understand that Malphas is on their side, he returns to the battle with allies. The fighting is difficult, but the humans and their new companion eventually route the demons. Malphas’s intervention therefore has a concrete military result: the attackers are driven off and the humans are safe. Itzal survives, however, and Malphas expects that he will be the first to tell Azura of the defection. The immediate rescue does not erase the larger conflict; it makes Malphas’s choice known to the forces he has left.
The victory is not bloodless. Malphas is bloody, bodies lie everywhere, and many of the dead are people he knew. He remembers laughing with them and celebrating the solstice and other holidays with them and their families. This familiarity changes the meaning of the aftermath: these are not anonymous human casualties to him but people whose lives had intersected with his own. For the first time, he feels their loss as pain rather than treating death with indifference.
Before the battle, Malphas could wish for death in combat simply to feel something. Afterward, the pain of the dead gives him precisely the feeling he had been seeking, but not as relief. He recognizes that Lilliana has changed him into a demon who cares about human lives, and he resents the change even as the grief proves it is real. The scene holds that contradiction rather than resolving it: attachment has made him more vulnerable to suffering, yet it has also made his choice to defend the villagers possible.
Consequences and Significance
The battle establishes Malphas’s defection through action rather than declaration alone. He challenges Itzal, draws his sword, accepts that his brother may become his enemy, endures blows from the Sephirii rather than strike them, and fights until the attackers are routed. Myone’s public defense of him is crucial to that sequence: his private intention becomes legible to the people around him only when she names it aloud. The moment consequently marks both a military alliance and a shift in how Malphas is seen by his former opponents.
The defection also begins a lasting rupture with the demon side. Itzal escapes and can report what happened to Azura, while Malphas remains among the humans whose lives he has chosen to protect. Yet the battle’s most enduring consequence is inward. The deaths expose how far he has moved from numbness, and his later grief for Lilliana gives that capacity for love a still more painful dimension. In this event, choosing the humans is not presented as a painless change of allegiance: it brings him into conflict with his brother and makes the lives lost on either side matter to him.