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Madame de Merteuil is publicly humiliated at the Italian Comedy

Les liaisons dangereuses

Madame de Merteuil is publicly humiliated at the Italian Comedy when a crowded social gathering rejects her and warmly receives M. de Prévan, the man connected to her earlier scandal. Reported second-hand in a letter, the episode makes reputation visible as collective action: a vacant seat becomes a place of isolation, while the public’s contrasting reception of Prévan signals a reversal in their social fortunes.

The Scene at the Theatre

The account begins with Madame de Merteuil returning from the country on a Thursday. She is taken to the Italian Comedy Theatre, where she has a box, and remains alone throughout the performance. Afterward, following her usual practice, she enters the small salon, already filled with people. A murmur rises, though she apparently does not think she is its object.

Seeing an empty place on a bench, Madame de Merteuil sits down. The women already there immediately rise together, leaving her entirely by herself. The coordinated gesture gives the rejection its force: it is not an isolated slight but a conspicuous group response. The men applaud the women’s display of indignation, and the murmuring reportedly grows into jeers.

Prévan’s Reception and the Reversal

The humiliation sharpens when M. de Prévan enters the salon at that moment. He has not appeared publicly since the affair associated with him and Madame de Merteuil. Instead of being shunned, he is surrounded and applauded by men and women alike, and the crowd effectively carries him toward her as it gathers around them.

The report says that Madame de Merteuil seemed not to see or hear what was happening and did not change expression, but its narrator doubts that this detail is accurate. Whatever her outward composure, the scene leaves her exposed to a public contrast: she is isolated while Prévan is celebrated. The humiliation lasts until her carriage is announced; as she leaves, the jeers intensify again. Men from Prévan’s regiment also receive him warmly that evening, and his return to his post and rank is expected.

Report and Immediate Consequences

The episode reaches the reader through a letter-writer who says that an acquaintance had just recounted it and that the account came from an eyewitness. This chain of transmission distinguishes what was seen from what is inferred: the collective gestures and applause are reported as events, while Madame de Merteuil’s unaltered expression is explicitly treated with doubt. The episode is therefore not simply a private confrontation but a story circulating through the same social world whose judgment it describes.

The letter also connects the public scene to Madame de Merteuil’s immediate difficulties. She develops a severe fever the following night; confluent smallpox is reported soon afterward, and the incident is said likely to damage her pending lawsuit, in which she was believed to need favor. The later account records that she recovers but is disfigured and loses an eye. Her lawsuit is then decided unanimously against her, with costs, damages, and restitution awarded to the minors; the remaining portion of her fortune is more than absorbed by the expenses. Still ill, she leaves alone by post during the night, believed to be headed for Holland, taking her valuables and leaving substantial debts.

Social Meaning

The scene’s decisive action is collective exclusion. No formal sentence is pronounced, yet the women’s synchronized departure from the bench, the men’s applause, and the renewed jeers at Madame de Merteuil’s exit turn social opinion into a public spectacle. The reception of Prévan supplies the counterpoint: the same gathering that marks her as disgraced restores him to favor and anticipates the return of his rank.

Because the account is reported rather than narrated by an eyewitness, it preserves uncertainty about Madame de Merteuil’s composure while presenting the gathering’s response as unmistakable. The episode thus marks the moment when reputational damage becomes publicly legible, and places the ensuing losses of favor and fortune within a wider collapse of her social position.

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