Pa's Trading Trip to Independence
Little House on the PrairiePa's Trading Trip to Independence is the hinge on which the Ingalls family's first prairie spring turns. After a long winter of scarcity, Pa harnesses the horses, loads the wagon with the bundle of furs he has accumulated, and drives away before sunrise to the frontier town of Independence. The trip is a practical errand—the furs are to be traded for a plough and seeds—but it returns laden with far more than farm equipment. It brings the family's first concrete intimation that their claim to the land is fragile, planting the rumor that will eventually drive them from the little house on the prairie.
The Journey and the Waiting
The departure is quiet and early. Before the sun comes up, Pa gets the horses ready, puts the furs into the wagon, and drives away, leaving Ma and the girls to count the long, empty days. Laura and Mary mark the passage of time—one, two, three, four days—and still Pa has not come home. Ma explains that trading furs in town is taking him a long time, but the waiting stretches thin. On the afternoon of the fifth day, the girls are playing outside in weather that has turned wild and sweet, the wind smelling of spring and birds flying north, when Mary stops and asks what that strange noise is. Laura has already heard it: the sound of Indians, rising from the creek. The sound grows louder and faster as the sun goes down and the sky turns bright pink, and Laura's heart beats faster and louder in response. Ma brings Jack inside and locks the door, and the girls watch from the window in silence.
The Return and the Gifts
Then Laura hears Pa's wagon. Laura and Mary run to the door and jump on Pa, who has his arms full. He laughs his big laugh and asks what they think he is, a tree to climb, before dropping his bundles on the table and putting his big arms around them. When Laura asks about the strange noise from the Indians, Pa dismisses it as some kind of jamboree he heard when he crossed the creek. He goes to put the horses and the new plough in the stable, and when he comes back they open the bundles. He has bought brown sugar, coffee, cornmeal, salt, and all the seeds they need. Then Pa gives Ma a packet, watching her open it with his big smile: pretty cotton cloth for her to make herself a dress. Ma cries that he shouldn't have, that it's too much, but her face shines with happiness. Mary watches quietly, but Laura climbs onto Pa's leg and beats him with her hands, demanding her present. Pa laughs his big laugh, like great bells ringing, and pulls a packet from his shirt pocket. He gives Mary a comb first because she is waiting so quietly, then gives Laura one just like it. The combs both have a bright star on top—Mary's blue, Laura's red—and Ma puts them in their hair. They laugh with excitement; they have never had anything so pretty. When Ma notes that Pa got nothing for himself, he answers that he got himself a plough, and the weather will soon be warm enough to start using it.
The Promise of Spring
That supper is the happiest they have had in a long time. The salt pork Pa brought is very good, and he tells them all about the seeds: tobacco seeds, corn seeds, and the seeds of many different kinds of vegetables like carrots and potatoes. Pa declares that when these seeds grow in this rich land of theirs, they will be living like kings. The meal is a celebration of the future, of the plough that will break the prairie sod and the seeds that will turn the wild grass into a farm. The promise of spring planting gives the family a stake in the land, a reason to believe their hard work will bear fruit. The plough and seeds are not just tools; they are the material expression of Pa's vision of a permanent home, the physical commitment to a future on the High Prairie.
The Rumor of Removal
But the happiness is shadowed. They have almost forgotten the wild noise from the Indian camps when Pa says something to Ma that makes Laura sit very still and listen carefully. People in Independence say the government is going to move the white settlers out of Indian Territory. Ma protests that they cannot go, not when they have done so much. Pa says he does not believe what he heard; the government has always let settlers keep the land, and he thinks they will make the Indians move west again. That night Laura lies awake in bed a long time, still hearing the noise of the wild jamboree in the Indian camp. Their fierce cries are carried on the screaming wind, and they make her heart beat faster and faster and faster. The rumor, dismissed by Pa, does not disappear. It lingers in the night air alongside the Indian cries, a quiet counterpoint to the happy supper and the promise of the plough.
The Seeds of Departure
The trip to Independence thus carries two kinds of cargo: the tangible goods that promise a settled future, and the intangible rumor that threatens to unravel it. The plough and seeds represent Pa's faith in the land and his belief that the government will protect the settlers' claim. The rumor represents the opposite—the possibility that the government in Washington will side with the Indians and order the settlers out. Pa's dismissal of the rumor is characteristic of his optimism, but it does not hold. Later, when Mr Edwards and Mr Scott bring word that soldiers are coming, Pa's face turns very red and his eyes become like blue fire. He declares that he will not stay until the soldiers take him away like a criminal, that the government told them it was all right to build their houses here, but if now they want them to go, they will go now, without waiting. The seeds of that departure are planted in the happy supper after the trading trip, in the rumor Pa chose not to believe. The trip to Independence, which began as an errand of hope, ends as the first step toward leaving the little house behind.