Humbert's Inner Moral Conflict

Traces Humbert's internal struggle between his desires and his sense of guilt.

increasingBearing stren­gth in each eventdecreasing

The Rationalization

The Self-Justification The Nymphet Theory Humbert develops a pseudo-scientific theory of nymphets to justify his attraction to young girls. He sees himself as a special artist. The Comparison to History He cites historical examples of child marriages and famous poets who loved young girls. The Denial He convinces himself that he is not harming Lolita, that she is a willing participant.

The Moments of Remorse

The Pangs of Guilt The Tears Occasionally, Humbert is overcome with remorse, especially when he sees Lolita's unhappiness. He weeps and promises to change. The Self-Loathing He calls himself a monster and a brute. These moments are fleeting, however. The Return to Desire His lust always reasserts itself, overriding his conscience.

The Final Reckoning

The Confession The Visit to Lolita Humbert sees Lolita for the last time. He realizes the depth of the harm he has caused. He offers her money but cannot undo the past. The Writing of the Memoir In prison, he writes his confession, trying to make sense of his life. He acknowledges his guilt but also seeks artistic redemption. The Moral Lesson He concludes that his love was selfish and destructive. The memoir is both a confession and a plea for understanding.

June 1947, in Ramsdale

1947-1948, during the road trip

September 1952, in Coalmont and after