Cockatoo
Love in the Time of CholeraThe Cockatoo is the striking bird in Ausencia Santander’s seaside home, first remembered for its extraordinary white plumage and quiet composure, then for calls that cut through the afternoon. Its presence gives the house an image of beauty and abundance; its disappearance, along with the furnishings, marks the sudden loss of that carefully accumulated world.
Appearance and Setting
The bird is identified as a cockatoo from Malaya. It sits on a private ring on the sea terrace, amid a house crowded with handcrafted objects Captain Rosendo de la Rosa has brought back from his voyages. Florentino Ariza, drawn to the bright, cool house and its view of the old city, considers the bird the most beautiful animal he has ever seen.
A Voice in the Afternoon
The cockatoo’s appearance and sound are deliberately set against each other. When Florentino wakes from an afternoon nap beside Ausencia, he remembers its shrill cries, which belie its beauty. Through the bedroom window, the old city’s golden domes and the sea are visible in the heat; the bird’s calls interrupt the stillness and become part of the scene’s precise, domestic atmosphere.
The bird also gives the episode a small comic turn. When Florentino says he feels watched and turns away from Ausencia, she laughs and points out the implausibility of his excuse. The cockatoo has indeed been roused, but its presence functions less as a witness to their intimacy than as the prompt for her teasing response.
Disappearance and Narrative Significance
While Florentino and Ausencia are together, thieves carry away almost everything in the house through the sea terrace without disturbing them. The lamps attached to the walls remain; the furniture, rugs, statues, tapestries, ornaments, and the cockatoo are gone. A taunting message is left on the rear wall, and the emptied rooms make the bird’s absence part of a larger, unmistakable reversal: a home defined by abundance is reduced to bare space.
The Cockatoo therefore links two contrasting images of the house: the beautiful creature on the terrace amid the accumulated objects, and the vacant rooms after the theft. Its disappearance is one concrete measure of the loss, while its remembered cries preserve the scene’s mixture of beauty, absurdity, and sudden desolation.