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June 8, 1708

Love in the Time of Cholera

June 8, 1708, marks the departure and destruction of the galleon San José, a voyage that condensed Cartagena’s colonial prosperity into a single, disastrous image. Carrying precious stones and metals valued at five hundred billion pesos in the currency of the day, the ship was sunk at the entrance to the port by an English squadron; its un salvaged treasure and the commander’s floating corpse became emblems of a city submerged in its own past.

The City Behind the Date

The date belongs to the remembered height of Cartagena’s colonial fortunes. In the eighteenth century, the city’s commerce was the most prosperous in the Caribbean, owing chiefly to the grim privilege of being the largest African slave market in the Americas. It was also the permanent residence of the Viceroys of the New Kingdom of Granada, who preferred its oceanfront setting to the distant, cold capital. Fleets bearing the treasures of Potosí, Quito, and Veracruz gathered in the bay several times a year, making the city a center of imperial wealth and traffic.

The San José’s Voyage and Loss

On Friday, June 8, 1708, at four o’clock in the afternoon, the San José set sail for Cádiz. Its cargo was valued at five hundred billion pesos in the currency of the day. At the entrance to the port, an English squadron sank the galleon. The ship’s loss turned a departure into a wreck whose scale joined commercial riches to sudden death: the commander’s corpse floated sideways on the bridge while the cargo descended to the bed of coral.

Memory and the City’s Decline

Two centuries later, the treasure had still not been salvaged. Historians evoked the submerged cargo and the commander’s body as an emblem of a city drowned in memories. That image complicates the young Juvenal Urbino’s nostalgic idealization of the colonial city: its remembered glory had rested in part on slavery and vanished wealth, while the later city inhabited the ruins of that past. June 8 thus serves not only as a precise historical date but as the point at which the novel’s account of prosperity turns toward loss, historical memory, and decline.