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Istanbul

Maigret and the Dead Girl

Istanbul is the decisive setting in Germaine Laboine’s recollection of meeting Julius Van Cram: the relationship began there, and there she believed they married. The city is presented not through a broad portrait of its streets or society but through a compact sequence of personal events whose legal certainty remains unclear.

Meeting and Life Together

At thirty-eight, Germaine met Julius Van Cram, a Dutchman staying at the Pera Palace. She described him as fluent in several languages, especially English and French, as well as German, and said he attended parties at different embassies. Their relationship moved beyond the hotel: Van Cram took an apartment for her nearby, and they lived together for a time.

The Marriage Account

A few weeks after Germaine became pregnant, Van Cram asked her to marry him. The marriage, as she recounted it, took place in Istanbul. He brought her to an office whose location she could not identify; she signed papers and took an oath. She accepted his assurance that they were married, but the account does not establish what the papers meant or whether the marriage was legally valid. Istanbul therefore marks both a personal commitment in Germaine’s understanding and an unresolved question about its formal status.

Departure Proposed

A few days after the ceremony, Van Cram suggested that Germaine return to France to live. The account leaves open whether he intended to accompany her; it establishes only that he proposed her return. The sequence makes Istanbul the brief center of a relationship that shifted quickly from meeting and cohabitation to a claimed marriage and the prospect of separation. The city’s significance lies in that turning point, preserved through Germaine’s recollection rather than an independently verified account.

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