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Jessica's Search Mission in Afghanistan

Missing You

Jessica's Search Mission in Afghanistan is the turning point that brings Jessica Mastriani's extraordinary gift into direct contact with the human consequences of war. Working for a Federal Bureau of Investigation division, she used dreams to locate people hidden in caves and mountains; when the mission ended, the nightmares and sleeplessness that followed left her unable to dream or find anyone. The search operation therefore has two linked outcomes: people are located, but Jessica returns home unable to resume either her work or her former life.

Recruitment and the move into the war

Jessica worked for almost a year in a special division headed by Cyrus Krantz. At first, the arrangement allowed her to work from home, which gave her time to finish twelfth grade. The urgency of the searches, however, pressed against that limited, civilian routine. Jessica understood that people needed to be found quickly, while the war remained distant to many Americans, appearing chiefly as nightly reports of deaths among the United States Marine Corps and discoveries of terrorists in Afghanistan.

For Jessica, the war was not something watched on a screen. Her ability placed her inside the search effort: she was the one directing the authorities toward caves where they believed people might be found. She first tried to do the work from home and later from Washington. Yet teams sometimes returned from locations she had identified saying that no one was there. Jessica remained certain that the failures belonged to the searches, not to her power. That conviction led her to insist that she be sent to Afghanistan so she could show the teams where to look in person.

Searches and their uneven outcomes

The mission did not produce one simple public record of rescue. Some of the people Jessica found became known through the news; others remained secret. Some were in places deep in the mountains where the searchers could not reach them. In other cases, authorities chose to monitor people and wait rather than move in. Some of those located were already dead. Jessica's account gathers these sharply different outcomes under the fact that she found them, while making clear that finding someone did not guarantee access, rescue, or survival.

That distinction gives the mission its moral and practical weight. Jessica's gift could direct attention toward people concealed from ordinary view, but it could not by itself remove the danger surrounding them or determine what authorities would do next. Her work connected a private, dream-based power to institutional decisions made amid a war. The results ranged from reported discoveries to secret tracking, inaccessible hiding places, and death; the ability to identify a location was not the same as control over what followed.

Trauma and the loss of the gift

The consequences arrived after the searches in the form of nightmares. Jessica could no longer sleep, and without dreams she could no longer find people. The very faculty that had made her useful to the operation depended on a kind of sleep that the experience had taken away. Her loss was therefore both psychological and functional: the nightmares disrupted her life while also ending her capacity to perform the work for which the division had relied on her.

The condition was identified as post-traumatic stress syndrome, or PTSS. The attempts to help her included drugs, therapy, and a week beside a large pool in Dubai, but none restored her sleep. Eventually, the division sent her home in the hope that returning to familiar surroundings might help. Instead, home exposed the distance between the life she had left and the person who came back. At seventeen, after seeing children plead against the removal of their fathers and witnessing explosions and people being blown up, ordinary activities such as going to the mall, getting a pedicure, or watching television could not simply reset her to her former self.

Jessica later recognizes the experience as having left her changed and broken, not merely separated from the dream power that had made her Lightning Girl. Rob Wilkins tells her that surviving the experience and returning to something resembling normal life took remarkable strength, while insisting that she has underestimated how deeply it affected her. Jessica privately accepts that part of her came back different. The mission's aftermath thus persists beyond the end of her government work: the injury reaches into her sense of identity and her ability to imagine a normal life.

The mission's aftermath in civilian life

Jessica's return does not restore the old arrangement. She cannot go back to finding people for the Federal Bureau of Investigation, and at first she cannot find herself either. Her later progress is measured in smaller, more personal acts. When she produces an address for Hannah Snyder, she recognizes that this is a meaningful step, even though she wonders whether going with Rob to look for Hannah is pushing herself too far. Her response to Hannah also shows her acting on ordinary evidence and responsibility: she confronts Hannah about the false account that helped her leave Rob's home, insists on taking her back, and plans to involve Hannah's mother.

The connection to the Afghanistan mission is not that Jessica's later actions erase its harm, but that her capacity to help becomes possible again in altered form. She later urges Hannah to cooperate with the police and testify against Randy, explaining that he could harm someone else if he avoids consequences. Meanwhile, when Cyrus visits, he tells Jessica that she has already done more than her share of good for others and should concentrate on doing good for herself. His words frame a consequence the mission has made unavoidable: service to others cannot be the only measure of Jessica's worth, especially when that service has left her unable to sleep, work, or feel whole. The mission begins as a search for people hidden by war and ends, in its continuing effects, with Jessica facing the harder task of recognizing what happened to her and what she can choose to do next.