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Bigger's pistol

Native Son

Bigger's pistol is both a practical weapon and a measure of Bigger Thomas's narrowing choices: he carries it while fleeing, keeps it ready against anyone who might approach, and uses it when the search reaches the rooftops. At first it sustains his determination not to be taken alive; in the final struggle, its last uses are defensive, and a stream knocks it out of reach.

Possession and Readiness

As Bigger escapes through the snow, he checks that the pistol is still in his shirt. He thinks he may have to use it and resolves to shoot rather than let his pursuers capture him. The weapon gives physical form to that decision, but the scene also makes clear that he expects either outcome to end in death. His readiness is not confidence that he can get away; it is a way of claiming some control over how he might be caught.

On the streets, Bigger keeps his hands out of his pockets despite the freezing cold. He fears that putting them away would leave him unready if the police suddenly confronted him. The pistol therefore shapes even his posture as he walks: its presence makes vigilance a continuous bodily discipline. His route takes him down Drexel Boulevard, away from the white neighborhood, and south toward Cottage Grove Avenue, where he cannot make plans until he reaches Bessie's and gets the money. The gun stays with him while escape remains uncertain and the next steps depend on that meeting.

A Weapon Against Immediate Threats

Later, inside a room, Bigger takes the pistol from the kitchen and settles on guarding himself. He has heard a person insist that he would rather die than tell on a man, but Bigger's own response is to prepare for violence if his own people trouble him. The gun turns suspicion into a concrete contingency: he will stay where he is and use it if approached. Yet this armed readiness shares the room with his exhaustion and hunger. After drinking water, he eats bread until he can barely chew it, then tries to sleep; fear repeatedly jolts him awake. The pistol offers a means of resisting an attacker, but it cannot quiet the terror that interrupts his rest.

When the searchers reach the roofs, the pistol becomes part of Bigger's immediate calculation of sightlines and danger. A man climbs onto the neighboring roof and sweeps a flashlight over the snow. Bigger raises the gun and aims, prepared to fire if the beam finds him. The light does not reach him, and the man goes back down, so Bigger does not shoot. The episode establishes that the pistol can hold an unseen threat at bay without being fired: aiming it gives Bigger a moment to wait and judge what the approaching searcher will do.

The Roof-Top Struggle

The next encounter brings the weapon into direct contact with a pursuer. When a white man emerges through the trapdoor with his back turned, Bigger decides to strike before the man can turn his flashlight on him and call the others. He shifts his grip, holding the pistol by its barrel, and brings it down on the man's head. The blow drops the flashlight into the snow and leaves the man face-down. In that instant the pistol ceases to function as a firearm and becomes a blunt instrument. Bigger remains where he struck, hearing the sharp impact linger after the light has gone out.

The siege continues, and Bigger knocks tear-gas canisters off the tank as the wind carries the gas away. More men climb onto the roof. He remembers that only three bullets remain, plans to wait until the men are closer before shooting, and reserves one bullet for himself rather than be taken alive. His ammunition is thus explicitly counted against two possible uses: resisting the searchers and preventing capture. When four fingers grasp the icy edge of the water tank, he strikes them with the pistol's butt; they disappear, followed by the sound of a body landing on the roof. The gun serves again as a close-range club, interrupting an attempt to climb up.

Loss and Significance

By the end of the confrontation, Bigger is too cold and weak to pick up the pistol. He looks toward it and imagines firing it empty, but his stiff fingers cannot reach or grasp it. A hissing silver stream strikes the weapon and whirls it off the tank, out of sight. Searchers call for him to come down, and the gun is gone. Earlier, its presence let Bigger imagine that he could choose to shoot rather than surrender; now its physical removal makes that imagined choice unavailable. The change does not erase his resistance, but it strips away the instrument through which he had tried to control the encounter.

Across these scenes, the pistol repeatedly changes function without changing hands: concealed assurance during flight, a safeguard against possible approach, a firearm aimed but not discharged, and finally a striking weapon used against men reaching the roof. Its dwindling bullets make resistance finite, while its eventual loss makes the limit visible. It is not simply a symbol separated from action; the narrative gives it weight, grip, ammunition, and position in the snow. Each practical detail determines what Bigger can attempt next, until the stream carries the gun beyond his reach and the siege closes around him.