Readify

Takatori Park

O fenômeno Jungkook: O sucesso do BTS e a criação de um superstar mundial

Hakdong Park is a Seoul location associated with the early trainee life of Jungkook and BTS. It appears not as a glamorous landmark but as one of the ordinary places that gave the young performers brief relief from demanding schedules, linking the group’s private endurance to the city’s competitive cultural landscape.

Setting and Early Associations

Hakdong Park stood near the modest trainee dormitory in Nonhyeon-dong, Gangnam, where Jungkook lived after leaving Busan. At thirteen, he moved to Seoul and carried his belongings through a narrow street near the park to the third-floor apartment on Nonhyeon-ro 149-gil, joining RM, SUGA, J-Hope, and other trainees. The setting was far removed from the polished image later associated with BTS: the apartment was small, crowded, and shared by adolescents preparing for uncertain careers.

The park was part of the immediate geography of that period. Alongside a nearby convenience store and the bicycle path beside the Han River, it offered the trainees a temporary escape from relentless practice and communal confinement. These places functioned as informal breathing spaces before the group had a stable public identity, significant income, or assurance that its debut would succeed.

A Refuge Before Debut

By the time the seven members had been assembled, the company moved them into the apartment later remembered through the song “I-sa (Moving On).” The so-called Blue House had cobalt-blue doors, a blue bathroom, and a blue balcony; all seven members slept in one room on three bunk beds, while the youngest, Jungkook, slept on a single mattress on the floor. Seven teenagers also shared one bathroom, and Jungkook, who was shy, waited until the others were asleep before bathing.

Against this cramped routine, Hakdong Park acquired its meaning through contrast. It was not an escape from hardship so much as a place where hardship could briefly be set down. The park belonged to the ordinary world around the dormitory, yet its proximity made it part of the group’s formative map: a quiet counterpoint to rehearsals, school, hunger, homesickness, and the pressure to transform into performers.

The Group’s Precarious Position

Hakdong Park also belongs to the story of BTS’s outsider beginnings. When Jungkook arrived, the group had originally been conceived as a hip-hop and rap-producer project. His arrival helped shift the planned identity toward an idol group whose members would rap, sing, and dance. He became the main vocalist, responsible for the most difficult vocal passages, even though he was the youngest member.

This development took place within an intensely hierarchical K-pop industry. At the time of BTS’s debut, SM Entertainment, YG Entertainment, and JYP Entertainment dominated the field through financial resources, established talent pools, media relationships, sponsors, and broadcast access. Big Hit Entertainment, founded by Bang Si-hyuk in 2005, was much smaller and was still experiencing financial difficulty. Its joint management of the girl group Glam had not produced the public acceptance the company needed, leaving BTS close to the status of a Nugu act despite the members’ ambitions.

The park therefore carries a quiet symbolic weight. It is a physical reminder that the group’s later global stature emerged from unremarkable surroundings and uncertain prospects. The members’ daily movement through spaces such as Hakdong Park preceded the national representation, international promotion, and enormous fandom that would later define BTS.

Place in the Larger BTS Story

The location’s significance is retrospective rather than monumental. Hakdong Park is remembered because the trainees who used it eventually became internationally recognized artists, while the park itself remained an ordinary part of Seoul. Its presence in the account preserves the material conditions behind the mythology of success: crowded housing, restricted privacy, exhausting schedules, and small public places where young people could recover together.

That contrast becomes especially clear after BTS’s rise. The group was later mobilized as a representative of South Korea’s cultural influence, appearing at the United Nations and helping promote UNICEF’s Love Myself campaign. Its international fandom, ARMY, would use online networks to support the group globally and to organize against racism. Hakdong Park belongs to the earlier, more intimate scale of that history—the local setting before the global community formed, and before Jungkook’s identity became inseparable from the public role of an international pop star.