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Plan D

Of Fates & Fables (The Complete Series)

Plan D is Talia’s deliberately outrageous contingency for confronting Brody: Romy is to use compulsion to hold him still while Talia attacks him. In the battle, however, the phrase takes on a second, more practical function. Talia repeats it alongside a countdown that culminates in the arrival of reinforcements, turning a private joke into an opaque signal of impending help.

The Proposed Contingency

Talia introduces Plan D while reassuring Romy that she and their allies are prepared for the coming fight. The group already has a backup plan for its backup plan, she says, and Plan D is the next contingency. Its proposed division of labor is unmistakably Talia’s: Romy uses her compulsion to make Brody stand still, and Talia delivers a grotesquely personal punishment. The plan’s violence is framed as dark banter, not a formal military briefing. Lynch answers with possessive teasing of his own, and Talia’s eye-roll restores the exchange to its familiar comic register.

The joke nevertheless rests on abilities and relationships that matter in the conflict. Romy can compel others, while Talia is willing to meet Brody’s violence with direct force. Their exchange presents them as partners who can imagine fighting together, even as its comic exaggeration keeps the proposed tactic from reading as a solemn promise. Nothing in the scene establishes that Talia literally carries out the specific attack she describes.

The Phrase in Battle

During the battle, Talia calls out ETA announcements while fighting in a half-shifted form with a samurai sword. At ETA 20, she runs the blade through another werewolf. Romy sees Talia and Lynch working in tandem: Talia holds off advancing opponents with the sword, while Lynch uses his teeth and claws against those who get close. The announcements continue amid the violence, but Romy does not understand what they mean, and the other fighters do not answer them.

The phrase Plan D returns as Talia calls ETA 10. By then, Romy is confronting Brody, whose attack has left her in danger; Lynch’s instruction to shift becomes urgent as she tries to put enough distance between herself and Brody to transform. The original plan’s image of Romy immobilizing Brody remains attached to the phrase, but the scene does not show Talia carrying out the proposed physical punishment. Instead, the battle develops through the actions actually shown: Romy uses her compulsion against Brody, cuts through his Delta tattoo, and later joins Kash in attacking him.

Countdown and Arrival

As the pack struggles against a larger force, Talia’s next call—ETA two—heightens Romy’s uncertainty rather than explaining the plan. A portal opens, initially alarming Romy because she fears Regina has brought in more enemy fighters. The repeated countdown has made an arrival seem imminent, but it has not told Romy what is coming or whose side it will be on.

When a helicopter appears above the yard and figures begin descending on lines from its cabin, Talia announces ETA now. She identifies them as reinforcements and tells Romy that her father has come through. The sequence reveals the practical effect of the countdown: it marks the approach of help while keeping its meaning obscure to Romy until the helicopter arrives. Plan D therefore links Talia’s earlier assurance about layered contingencies to a concrete intervention at the battle’s most precarious moment.

Meaning and Function

Plan D works on two registers. In private, it is an irreverent, exaggerated threat that lets Talia and Romy express readiness to oppose Brody without turning their exchange into a solemn declaration. In the battle, the phrase and its ETA calls become a recurring signal associated with a timed arrival. The contrast between Talia’s ludicrously specific initial proposal and the helicopter’s genuine military usefulness gives the expression its turn: the words sound like a joke, yet their recurrence accompanies a real contingency unfolding.

The phrase also shapes Romy’s experience of the fight. She first receives Talia’s claim that the group has another plan as reassurance; later, she hears fragments of that plan without access to their meaning, even as the danger around her escalates. The announcement at ETA now resolves the uncertainty not through an explanation beforehand, but through the visible arrival of reinforcements. Plan D thus names both Talia’s comic proposal and a moment of tactical expectation fulfilled, without suggesting that the proposed punishment itself is performed.