Growltiger and Lady Griddlebone
Old Possum's Book of Practical CatsGrowltiger and Lady Griddlebone are portrayed as lovers in Growltiger’s Last Stand, where an intimate musical exchange unfolds aboard Growltiger’s barge just as an enemy attack closes in. Their apparent closeness gives the scene its brief calm, but it also leaves them exposed: Growltiger concentrates on Lady Griddlebone, and neither responds to the approaching danger before it is upon them.
Identity and Setting
Growltiger is introduced as a notorious, rough, roaming cat who travels on a barge. The story also establishes a history of hostility between him and the Siamese Cats: one of them had mauled his missing ear, and the group regards him with fear. This background makes the later assault more than a sudden interruption to a romance. The lovers’ exposed moment occurs within an existing conflict between Growltiger and his enemies.
The barge lies at Molesey on a peaceful summer night. Moonlight and stillness frame the encounter before the attack, making the setting seem secure while danger gathers around it. In the vessel’s forepeak, Growltiger sits alone, absorbed in Lady Griddlebone. His crew are asleep in barrels and bunks, while the Siamese Cats approach in sampans and junks. The lovers’ isolation is therefore both emotional and practical: his attention is fixed on her, and the rest of the barge is unprepared.
Intimacy and Performance
The account presents their relation through attention and music rather than through a history of how they met or a description of life together. Growltiger has no eye or ear for anything but Lady Griddlebone; she, in turn, seems enraptured by his baritone. The poem depicts them as lovers, but the evidence for their intimacy is concentrated in this scene: his absorption, her apparent delight, and the duet they sing together.
Their duet is a moment of apparent ease, with Lady Griddlebone disposed to relaxation and expecting no surprise. That expectation sharply contrasts with the danger already surrounding the barge. The moonlight, her response to Growltiger’s singing, and their shared performance establish a sheltered romantic interval; the enemy’s silent approach makes that interval precarious. Their closeness does not help them recognize the threat. Instead, the scene places private attention beside public danger and lets the gap between the two drive the reversal.
The Attack and Separation
The Siamese Cats circle closer without making a sound. The narrative marks the lovers’ duet as their last, while identifying the attackers’ weapons as toasting forks and carving knives. Gilbert then gives the signal, and the attacking force swarms aboard amid fireworks. They abandon their sampans and junks and batten down the hatches on the crew sleeping below. The assault thus reaches the barge while its inhabitants are divided between Growltiger’s attention to Lady Griddlebone and the crew’s sleep.
Lady Griddlebone screeches in fear and quickly disappears. The narrator qualifies what can be known of her fate: she probably escaped with ease and, the narrator is sure, was not drowned. The account does not show her escape or establish where she goes afterward. Her disappearance leaves the lovers’ connection without a reconciliation or a further exchange; in the scene’s decisive turn, she is no longer beside Growltiger when the attackers close around him.
Growltiger, by contrast, is explicitly surrounded by a ring of flashing steel. To his great surprise, he is forced to walk the plank. The account recalls that he had driven a hundred victims to that same drop, then reverses the image: the feared aggressor is made to face the fate he had imposed on others. It describes him going over with a comic-sounding flourish, but does not confirm his death. The lovers’ shared moment ends in separation, with Lady Griddlebone’s fate left uncertain and Growltiger’s immediate outcome rendered as a fall from the plank.
Narrative Significance
The relationship is brief in the narrative but central to the mechanics of the ambush. Growltiger’s exclusive attention to Lady Griddlebone and her apparent absorption in his singing explain why the attack reaches them as a surprise; the poem makes intimacy part of the scene’s vulnerability without establishing that their affection caused the conflict. The silent circling attackers and the lovers’ music occupy the same moment, setting their private duet against the approaching violence.
The separation also distinguishes their outcomes. Lady Griddlebone vanishes, with only the narrator’s qualified assurance that she probably escaped; Growltiger is captured by the assault and forced onto the plank. Their pairing therefore does not conclude in a shared resolution. Instead, the ballad turns from apparent romantic composure to attack, then divides the lovers at the instant their danger becomes unmistakable. The contrast between their last duet and Growltiger’s reversal gives the episode its abrupt, darkly comic force.