Model of 1917 Rolls-Royce Silver Ghost
The Model of 1917 Rolls-Royce Silver Ghost is a complex plastic assembly kit that Louis Creed works on in his study, representing his lifelong hobby of model-building and serving as a counterpoint to the novel's escalating horrors. The model, with its 680 pieces and over 50 moving parts, embodies Louis's need for order, control, and a retreat into a manageable, miniature world where he can achieve completion and mastery—a stark contrast to the uncontrollable chaos of death and the supernatural that increasingly engulfs his family.
Identity and Background
The model is a detailed replica of a 1917 Rolls-Royce Silver Ghost, a classic car that Louis is assembling from a kit containing 680 pieces and over 50 moving parts. He works on it in his study, a space that serves as his personal sanctuary within the Creed home. The model is part of a long-standing pattern of hobbyism for Louis, who has been model-crazy since his tenth year, progressing through World War I Spads, Revell airplanes, boats in bottles, war machines, realistic guns, and cruise ships like the Lusitania, Titanic, and Andrea Doria. The Rolls-Royce represents his current phase, focused on classic cars, a cycle he expects to last four or five years before a new interest strikes him.
Role in Louis's Life and Character
The model functions as a deliberate escape from the pressures of his professional and family life. Louis's wife, Rachel, views this hobby with a wifely indulgence that he suspects holds some elements of contempt, believing he might eventually grow out of it—an attitude he partly attributes to her father, Irwin Goldman, who has always considered Louis an unsuitable match. For Louis, the model is a private, absorbing activity that allows him to focus on precise, controllable details, such as the linked R's on a hubcap, which he proudly points out to his daughter Ellie. This meticulous work provides a sense of accomplishment and order that his real-world responsibilities—as a doctor and head of University Medical Services—often lack.
Key Occurrences and Connections
The model appears during a crucial conversation with his daughter Ellie, who comes to him looking troubled after their first visit to the Pet Sematary. While Louis carefully glues a mudguard onto the Rolls-Royce, Ellie raises the subject of death, asking why pets don't live as long as people. The model serves as a backdrop for Louis's attempt to explain mortality to his five-year-old daughter, using the concept of metabolism as a "body clock" that tells time for different species. He tells her that a dog living to twelve is old, and that human beings live to about seventy-two, a span he admits feels short even to him at thirty-five. The model, with its intricate but finite assembly, mirrors the theme of life's limited duration and the human desire to create something lasting and perfect within that constraint.
Thematic Significance
The Model of 1917 Rolls-Royce Silver Ghost is a symbol of Louis's rational, scientific worldview and his need for control in the face of the irrational. The model's construction—a process of following instructions, fitting pieces together, and achieving a predetermined outcome—stands in direct opposition to the chaotic, uncontrollable forces of death and the supernatural that invade his life. The model is a thing of beauty and order, a miniature world where Louis can be the master, unlike the real world where he cannot prevent the death of Victor Pascow, the resurrection of his daughter's cat Church, or the eventual tragedy that befalls his son Gage. The model's presence in his study, a room where he also later contemplates the inexplicable, highlights the tension between his medical training and the dark, ancient power of the Micmac burying ground.