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“Strong people fighting against the elements.”

Shrill: Notes from a Loud Woman

“Strong people fighting against the elements.” is the phrase West’s mother used to describe the stories she valued, and a family catchphrase that came to express a larger inheritance. Against West’s childhood fascination with dragons and fantasy, it stands for a preference for truth and for people meeting difficulty directly; later, West sees her own work confronting misogynistic trolls as drawing on both her mother’s grit and her father’s idealism.

Origin and Meaning

West recalls that her mother never liked fantasy. When West asked why she was not obsessed with dragons, her mother would answer, “I just like things that are true,” and describe the stories she preferred as “Strong people fighting against the elements.” West pressed the question so often that the phrase became a familiar refrain at home. Its repetition turns a difference in taste into a concise family expression: the mother values stories of human endurance rather than escape into imagined worlds.

That preference has a family history. West connects her mother’s outlook to her maternal grandparents’ Norwegian background and to the hardships faced by the family. During the Great Depression, West’s great-grandparents sent eighteen-year-old Clara back to Norway to raise two of her younger sisters after they could no longer feed their large family. Against this history, “the elements” suggests more than weather or a story’s antagonist: it evokes the practical demands and losses that people had to endure. The phrase’s plainness suits the realism it describes.

A Family Refrain

The expression also helps West articulate the contrast between her parents. She associates her father with magic, escapism, and an optimistic readiness to believe in possibility; her mother’s phrase represents realism, austerity, and practical resolve. West describes herself as having grown between these poles. The refrain is therefore not simply a rejection of fantasy: it marks one side of the imaginative and emotional inheritance from which she understands herself.

Later Significance

As an adult, West wonders whether she is unusually suited to a job that did not exist when she was born in 1982: confronting online trolls who hate women. She compares them to the monsters of her childhood fantasies, while distinguishing the real-world creeps from necromancers in skull-towers. In that reflection, her mother’s phrase acquires a new application. West asks whether her mother gave her the grit to keep going, just as she asks whether her father gave her the idealism to care enough to try. The family catchphrase thus connects a mother’s taste in stories to West’s account of the qualities she brings to a real struggle.