The English department’s internal turmoil
Straight ManThe English department’s internal turmoil is both a prolonged workplace conflict and a test of who can claim to speak for the department. Grievances multiply, a possible recall of William Henry Devereaux, Jr. takes shape, and disputes within the department become entangled with the university’s budget and labor crisis. The resulting pressure is not simply a clash between colleagues: it forces William Henry Devereaux, Jr. to confront how personal loyalties, formal protections, and institutional power reinforce and undermine one another.
Grievances and the Scale of the Conflict
The departmental dispute is visible in the sheer accumulation of grievances. Tony Coniglia reports that fifteen are pending within the English department, directed at William Henry Devereaux, Jr., the dean, and the campus executive officer. He stresses that this total exceeds the grievances from all the other faculty combined. In his account, the department’s inability to get along has made its members vulnerable: administrators could take the conflict as a reason to replace older faculty with younger scholars at half the salary. The grievance count thus registers more than individual dissatisfaction. It becomes evidence that internal discord may carry material consequences for the people involved.
Dickie Pope approaches the same pile of complaints from the administrative side. Asked to count grievances against William Henry Devereaux, Jr. and Teddy Barnes, who previously chaired the department, William Henry Devereaux, Jr. estimates fifteen or twenty and characterizes most as nuisance cases. Dickie seizes on that description and links the grievances to the union that supports them. His response makes clear that language about procedure is itself part of the contest: what William Henry Devereaux, Jr. treats as an imprecise estimate and a category of complaint, Dickie recasts as a criticism of union power. The exchange also suggests that Dickie has investigated William Henry Devereaux, Jr.’s history and views, rather than treating him as an unknown opponent.
The Recall Threat and Personal Allegiances
The possibility of a recall gives the turmoil a direct leadership stake. Gracie DuBois first tells William Henry Devereaux, Jr. that she intends to file a grievance against him, explaining that she wants her standing as a senior faculty member recognized and does not intend to be pushed aside. She presents this professional action alongside an unexpected personal expression of admiration: she has always liked him and regards him as almost like a character in a good book. The juxtaposition makes her position difficult to reduce to simple hostility. She can feel affection for him while also defending her status and preparing to oppose his leadership.
Gracie DuBois then warns that Finny is sounding out colleagues about a recall and may introduce a motion at the next department meeting. She expects that, given the circumstances, she will have to vote for it. Her warning makes the threat concrete without establishing that the motion has already been introduced or passed. It also exposes how the department’s personal and procedural conflicts overlap: Gracie DuBois explicitly distinguishes professional matters from personal ones, yet the conversation binds her grievance, her regard for William Henry Devereaux, Jr., and her anticipated vote into one encounter.
Billy Quigley adds another threatened vote. He says that Finny and Herbert Schonberg are planning a recall and that he will support them if William Henry Devereaux, Jr. does not help him. The narrative identifies this as Billy Quigley’s first lie to him: the force of Billy Quigley’s voice suggests conviction, despite his claim not to care. His threat is therefore revealing not because it proves a settled alliance, but because he invokes a collective political action as leverage in a personal appeal. The recall has become a language colleagues can use to pressure one another even before its outcome is known.
Union Politics and the Demand to Choose
The department’s internal struggle is nested within a wider labor contest. Herbert Schonberg tells William Henry Devereaux, Jr. that the union would welcome him as an ally, not because he must become a committed union member, but because the department could use his public presence and political influence. The English department has more votes than any other department, Herbert Schonberg argues, and William Henry Devereaux, Jr. could serve as a public point man or rally his colleagues. His appeal mixes principle with strategy: he describes the union’s side as right while also making clear that William Henry Devereaux, Jr.’s usefulness matters.
Herbert Schonberg further reports that Teddy Barnes and June Barnes have sided with Paul Rourke and Finny, despite the apparent novelty of that alignment. For William Henry Devereaux, Jr., this reveals the gap between the appeal’s reassuring surface and its political subtext. He is told that he is indispensable to the cause, while also learning that his department and friends may already have aligned themselves against him. Herbert Schonberg asks him to declare whether he will join the union side or make common cause with Dickie Pope; he presents neutrality as a dangerous choice. The pressure does not offer William Henry Devereaux, Jr. a stable position outside the conflict. Instead, it recasts indecision as its own risk.
Threats, Public Meaning, and Escalation
The turmoil also complicates the meaning of William Henry Devereaux, Jr.’s own public tactics. In a class discussion, he asks why Blair was right to be surprised in light of his threats. The class falls silent, and he explains that a threat to kill a duck each day until the department received a budget was comic rather than serious: its speaker had been wearing a fake nose and glasses, and a comic threat does not make sense when carried through to serious consequences. The episode sharpens the distinction between performance and action, but it cannot guarantee that everyone will interpret the performance as he intends. In a department already burdened by grievances and recall talk, even comic provocation exists alongside real institutional consequences.
Those consequences grow more immediate as the labor dispute approaches a strike vote. Herbert Schonberg tells William Henry Devereaux, Jr. that a vote is being called for that afternoon, late in the term, to prevent seniors from graduating. The proposed timing turns students’ graduation into a source of leverage: the department’s conflict is now connected to a measure designed to exert political pressure on the university. What began as a fight over grievances and leadership has become part of a wider confrontation over the ability of faculty and administrators to force a decision.
Reversal and Continuing Uncertainty
The later outcome complicates any assumption that the union’s position will prevail. According to the Railton Rear View, the faculty vote overwhelmingly against striking after learning that Dickie Pope has been fired and Jacob Rose, a long-respected colleague, has become the new chief executive officer. The decision defeats the union’s position and the interests of faculty members, including Finny, who would be directly affected by the next year’s budget cuts. The shift shows how leadership changes can reorder the loyalties and calculations on which collective action depends.
For Finny, this reversal appears to coincide with an attempted change in his relationship to William Henry Devereaux, Jr. He waits for his longtime adversary, seemingly expecting their shared reversal of fortune to make them allies. The narrative initially reads his presence through that political possibility, but a white, darkly spotted bundle at his feet redirects attention toward a more immediate and disturbing matter. The scene places the department’s changing alliances beside consequences that cannot be resolved by a vote. The internal turmoil therefore remains larger than the question of who supports a recall or a strike: institutional power shifts, alliances change, and the damage produced by conflict continues to press beyond the procedures meant to contain it.