The chopsticks used by his parents
Strangers (Taichi Yamada Edition)The chopsticks used by his parents are the sole keepsake Hideo Harada deliberately takes from the table after his deceased parents vanish during their final meal together. First ordinary utensils in a shared family dinner, they become portable links to the meal and to the parents he can no longer visit in person; later, he brings them to the family grave and plans another prayer for them.
From Dinner Utensils to Keepsake
The chopsticks enter the story within the domestic routines Hideo relives with his parents. At their apartment, his mother sets out edamame and garnished tofu with three beer glasses, and she pours beer for Hideo at the low table. The intimacy of the gathering is built through familiar acts of setting out food, pouring drinks, and eating together, rather than through any formal memorial object. Their final shared meal is more deliberate. Hideo takes his parents to a restaurant, orders beer and the most expensive sukiyaki dinner for three, and asks for more meat and vegetables as they go. The waitress prepares the sukiyaki in a pan at the center of the table. The chopsticks belong to this meal, where eating together gives the family a brief return to ordinary companionship even as their departure draws near.
What Remains After the Farewell
As Hideo’s parents fade from sight, he cannot stop their disappearance. They leave behind the meal’s physical traces: chopsticks, sukiyaki bowls, partly emptied beer glasses, a bag of figurine cakes, a soiled table, and two wrinkled cushions. The steaming pan continues to stand between the gathering and its abrupt end. Among these remnants, Hideo focuses on the chopsticks because they are something he can carry away. Still exhausted and distressed, he gathers the two pairs his parents used and carefully wraps them in a handkerchief. The act turns a small object of shared eating into a keepsake through deliberate handling: he must summon his strength to collect and protect them. Their significance lies not in rarity but in their direct connection to the meal from which his parents have just disappeared.
At the Family Grave
Two years later, Hideo brings the wrapped chopsticks with him when he visits the family grave in Aichi, where his parents’ ashes are buried. He has brought incense, a burner, and a small bouquet of chrysanthemums as well. After lighting the incense, he divides it between two holders and prays; Mamiya joins him. The chopsticks thus travel from the restaurant table to a place of burial, joining the family meal and the grave in a single act of remembrance. Hideo thinks that on his next visit he will bring the chopsticks his parents used at their last meal, burn them, and pray again. The plan gives him a reason to return to them in memory without suggesting that the loss can be undone. Their movement from table, to handkerchief, to grave-side ritual makes an everyday object the material form of an ongoing bond: the meal is over, but Hideo can still carry something from it and make another visit in his parents’ name.

