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Pittsburgh

The Andy Warhol Diaries

Pittsburgh is both the starting point and a recurring family reference in Andy Warhol’s life. He left the city for New York in 1949, but it remained connected to his mother’s later life, his recollections of a first solo outing, and a family account of his brother Paul’s work and property. Years afterward, a Pittsburgh newspaper was used to seek out people who had known Warhol for a book about him.

Departure and family ties

Warhol came to New York from Pittsburgh in 1949. The move marked a change of city, but Pittsburgh remained part of his family history: after living with him in New York, his mother, Julia Warhola, returned there in 1971 when she needed constant care. Warhol sent her to the care of his brothers John and Paul. After a stroke, she died in a nursing home in Pittsburgh in 1972.

A later family update gives a more everyday picture of the city through his brother Paul. Warhol described Paul as doing well with a working farm, where six pigs had recently been slaughtered and made into sausages. He also said Paul was buying real estate in a Black neighborhood by the river on the North Side. The account places Pittsburgh not only in the family’s past, but in its contemporary routines and plans.

A remembered first outing

In 1985, Pittsburgh surfaced in Warhol’s recollection of going into town as a boy to see Frank Sinatra sing with Tommy Dorsey. He remembered walking all the way in, meeting another boy, and finding that the girls he expected to see swooning over Sinatra were not there. He described the trip as one of the first things he had done alone. The memory gives the city a personal scale: not a general portrait of Pittsburgh, but the setting for an early experiment in independence that remained vivid decades later.

The city in later accounts of Warhol

Pittsburgh also became a place from which other people might help shape Warhol’s biography. In 1986, he learned from his brother that Victor Bockris had placed an advertisement in a Pittsburgh paper, asking people who knew Warhol to speak with him for a book he was writing about him. The city thus reappears as a source of testimony as well as a place of origin and family connection. Across these references, Pittsburgh’s significance lies in its recurring personal functions: departure, care, memory, family livelihood, and the collection of stories about Warhol.

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