Attempted murder of Mickey Haller at the Fryman Canyon overlook
The Brass VerdictThe attempted murder of Mickey Haller at the Fryman Canyon overlook turns an urgent effort to help Lanie Ross into a near-fatal confrontation, then ends with the attacker identified as juror number seven from Haller’s trial. The assailant’s identity links the immediate danger to the courtroom’s unresolved juror problem, while the intervention that saves Haller leaves the reason for the attack unestablished in this scene.
Background and Immediate Stakes
The events begin with a report about Lanie Ross on Mulholland Drive. An officer tells Haller that she should not be driving and had passed out after giving him Haller’s card. The news confirms Haller’s fear that she has relapsed. He worries that an arrest will return her to the system and probably lead to another stay in jail and rehabilitation. Rather than leave the situation to the officer, he asks where she is being taken.
Haller calculates that Fryman Canyon is only a few blocks from the converted garage guesthouse where Lanie is allowed to live rent-free. He intends to get her home, then return on foot to the park to retrieve her car, avoiding both jail and a tow lot. What he expects to be a practical intervention, taking less than an hour, places him on the road toward the overlook where the attack unfolds.
He drives up Laurel Canyon to Mulholland Drive, turns west, and follows the winding road for half a mile. Fatigue is beginning to catch up with him, and he slows when his headlights fall across a coyote beside the road. His phone buzzes as expected: Harry Bosch is calling. The exchange establishes that Haller is in contact with Bosch just before the danger becomes visible, but does not itself explain the assailant’s purpose or how the attacker came to be there.
The Confrontation at the Overlook
At a parking clearing, Haller gets out and looks across the lights spread below the overlook. As he is speaking on the phone, movement at the edge of his vision draws his attention to a crouching figure emerging from tall brush. Haller first mistakes the shape for a coyote; as it rises, he sees a man dressed in black, his face covered by a ski mask, raising a gun toward him.
The assailant orders Haller to drop the phone. Haller complies and raises his hands, asking whether the man is connected to Bosch. The attacker moves toward him, shoves him down, and hauls him up by the back of his jacket. When Haller asks who he is and why he is there, the man dismisses the questions and pushes him toward the precipice. Haller recognizes that the edge is close and steep. He tries to slow his movement, but the attacker shoves harder. The danger is no longer abstract: the man’s actions are driving Haller toward a drop.
A shot comes from the right and from a distance, not from behind Haller. Almost at the same moment, a metallic snapping sound is heard. The masked man cries out and falls into the brush to the left. The sequence interrupts the attack, but the scene does not identify who fired the shot or explain the sound. Haller dives face down near the edge and shields his head while voices order people to the ground. He hears running and vehicles crossing the gravel; flashing blue lights then tell him that police are present and that he is safe.
Intervention and Identification
Harry Bosch appears above Haller and tells him he can get up, observing that the attack came close. Officers secure the masked man with his hands cuffed behind him. Haller sees people in black windbreakers moving around the clearing: some jackets bear LAPD markings, while most are marked FBI. A helicopter arrives and illuminates the area with its spotlight. These details establish the scale of the response without specifying how it was organized or what each officer’s role had been before Haller saw them.
Bosch has the ski mask removed, and a flashlight is directed at the man’s face. Haller recognizes him as juror number seven from the trial. The identification makes the ending a reversal of the scene’s immediate question. The apparent stranger who has just attacked Haller is not an unknown figure but a member of the jury whose absence has already drawn official attention. Haller explains that this juror did not appear that day and that the Sheriff’s Department was looking for him.
Consequences and Significance
The scene moves from a personal crisis to a threat at the edge of a public criminal case. Haller’s journey begins with concern for Lanie and a plan to keep her out of jail; at the overlook, he becomes the target of a masked assailant. His phone call with Bosch, the arrival of officers, and the helicopter’s light frame the rescue, but the decisive new fact is the attacker’s identity. The person sought because he missed court is also the person Haller recognizes after the attack.
That revelation changes the meaning of the confrontation without resolving every question it raises. The juror’s failure to appear and the attempted attack now coincide in a single scene, bringing the jury problem directly into Haller’s physical danger. Yet the evidence here does not establish why the juror attacked him, who fired from a distance, or whether the events were connected by a larger plan. The scene closes on recognition and custody rather than explanation: Haller has survived, the masked attacker is secured, and the missing juror is no longer merely absent from court.